His directions for this work are exceedingly minute; but when the lute
was in order, it was of no slight importance to keep it so, and for
this also he offers some choice observations. “You shall do well, ever
when you lay it by in the day-time, to put it into a bed that is
constantly used, between the rug and blanket, but never between the
sheets, because they may be moist.” “This is the most absolute and
best place to keep it in always.” “There are many great commodities in
so doing; it will save your strings from breaking, it will keep your
lute in good order, so that you shall have but small trouble in tuning
it; it will sound more brisk and lively, and give you pleasure in the
very handling of it; if you have any occasion extraordinary to set up
your lute at a higher pitch, you may do it safely, which otherwise you
cannot so well do, without danger to your instrument and strings: it
will be a great safety to your instrument, in keeping it from decay,
it will prevent much trouble in keeping the bars from flying loose and
the belly from sinking: and these six conveniences considered all
together, must needs create a seventh, which is, that lute-playing
must certainly be very much facilitated, and made more delightful
thereby. Only no person must be so inconsiderate as to tumble down
upon the bed whilst the lute is there, for I have known, said he,
several good lutes spoilt with such a trick.”
I will not say of the reader, who after the foregoing specimens of
Music's Monument has no liking for Master Mace and his book that he
Is fit for treasons, stratagems and spoil,
but I cannot but suspect that he has no taste for caviare, dislikes
laver, would as willingly drink new hock as old, and more willingly
the base compound which passes for champagne, than either. Nay I could
even suspect that he does not love those “three things which persons
loving, love what they ought,—the whistling of the wind, the dashing
of the waves, and the rolling of thunder:” and that he comes under the
commination of this other triad, “let no one love such as dislike the
scent of cloves, the taste of milk and the song of birds.” My Welsh
friends shall have the pleasure of reading these true sayings, in
their own ancient, venerable and rich language.
_Tri dyn o garu tri pheth à garant à ddylaint; gorddyan y gwgnt, boran
y tònau, ac angerdd y daran._
_Tri pheth ma chared neb a 'u hanghara: rhogleu y meillion, blâs
llaeth, a chân adar._
CHAPTER CXCIV.
A MUSIC LESSON FROM MASTER THOMAS MACE TO BE PLAYED BY LADY FAIR:—A
STORY, THAN WHICH THERE IS NONE PRETTIER IN THE HISTORY OF MUSIC.
Public-domain text, read in full here on John Shaqi.
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