I would neither solicit nor accept a peerage. I would not go into
Parliament. I would take no part whatever in what is called public
life, farther than to give my vote at an election against a Whig, or
against any one who would give his in favour of the Catholic Question.
I would not wear my coat quite so threadbare as I do at present: but I
would still keep to my old shoes, as long as they would keep to me.
But stop—Cleopatra adopted some wizard's words when she said “Wishers
were ever fools!”
CHAPTER CCXXII.
ETYMOLOGY.—UN TOUR DE MAÎTRE GONIN.—ROMAN DE VAUDEMONT AND THE LETTER
C.—SHENSTONE.—THE DOCTOR'S USE OF CHRISTIAN NAMES.
_Πρᾶγμα, πρᾶγμα μέγα κεκίνηται, μέγα._
ARISTOPHANES.
_Magnus thesaurus latet in nominibus,_ said Strafford, then Lord
Deputy Wentworth, when noticing a most unwise scheme which was
supposed to proceed from Sir Abraham Dawes, he observes, it appeared
most plainly that he had not his name for nothing! In another letter,
he says, “I begin to hope I may in time as well understand these
customs as Sir Abraham Dawes. Why should I fear it? for I have a name
less ominous than his.”
_Gonin_, Court de Gebelin says, is a French word or rather name which
exists only in these proverbial phrases, _Maître Gonin_,—_un tour de
Maître Gonin_; it designates _un Maître passé en ruses et artifices;
un homme fin et rusé._ The origin of the word, says he, was altogether
unknown. Menage rejects with the utmost contempt the opinion of those
who derive it from the Hebrew ץובנ, _Gwunen_ a diviner, an enchanter.
It is true that this etymology has been advanced too lightly, and
without proofs: Menage however ought to have been less contemptuous,
because he could substitute nothing in its place.
It is remarkable that neither Menage nor Court de Gebelin should have
known that Maistre Gounin was a French conjurer, as well known in his
day as Katterfelto and Jonas, or the Sieur Ingleby Emperor of
Conjurors in later times. He flourished in the days of Francis the
first, before whom he is said to have made a private exhibition of his
art in a manner perfectly characteristic of that licentious King and
his profligate court. Thus he effected “_par ses inventions, illusions
et sorcelleries et enchantements,—car il estoit un homme fort expert
et subtil en son art,_ says Brântome; _et son petit-fils, que nous
avons veu, n'y entendoit rien au prix de luy._” Grandfather and
grandson having been at the head of their worshipful profession, the
name past into a proverbial expression, and survived all memory of the
men.
Public-domain text, read in full here on John Shaqi.
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