Mr. Cottle has made this the subject of a lively eclogue; but if that
gentleman had happened upon the modern edition of Luther's _Colloquia
Mensalia_, or Divine Discourses at his Table, instead of the old one,
this pleasant poem would never have been written, the account of the
Killcrops being one of the passages which the modern editor thought
proper to omit. His omissions are reprehensible, because no notice is
given that any such liberty has been taken; and indeed a paragraph in
the introductory life which is prefixed to the edition might lead the
reader to conclude that it is a faithful reprint; that paragraph
saying there are many things which, for the credit of Luther, might as
well have been left out, and proceeding to say, “but then it must be
considered that such Discourses must not be brought to the test of our
present refined age; that all what a man of Luther's name and
character spoke, particularly at the latter part of his life, was
thought by his friends worth the press, though himself meant it only
for the recreation of the company; that he altered many opinions in
his progress from darkness to light; and that it is with a work of
this kind, as with the publishing of letters which were never intended
for the press; the Author speaks his sentiments more freely, and you
are able to form a true idea of his character, by looking, as it were,
into his heart.” Nevertheless there are considerable omissions, and as
may be supposed of parts which are curious, and in a certain sense
valuable because they are characteristic. But the reprint was the
speculation of a low publisher, put forth in numbers, and intended
only for a certain class of purchasers, who would read the book for
edification. The work itself deserves farther notice, and that notice
is the more properly and willingly bestowed upon it here, because the
original edition is one of the few volumes belonging to my venerable
friend which have passed into my possession, and his mark occurs
frequently in its margin.
Public-domain text, read in full here on John Shaqi.
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