That excellent good man Gilpin drew up a family record of his great
grandfather, grandfather and father, who had all been “very valuable
men.” “I have often thought,” said he, “such little records might be
very useful in families; whether the subjects of them were good or
bad. A light house may serve equally the purpose of leading you into a
haven, or deterring you from a rock.”[1]
If it may stand with your soft blush, to hear
Yourself but told unto yourself, and see
In my character what your features be,
You will not from the paper slightly pass.
No lady, but at some time loves her glass.
And this shall be no false one, but as much
Removed, as you from need to have it such.[2]
[Footnote 1: WARNER'S RECOLLECTIONS.]
[Footnote 2: BEN JONSON.]
There was once a German who being poet, physician and physiognomist,
saw in a vision of Paradise Physiognomy herself, and received from her
a most gracious compliment, which lay buried among the Heidelberg
Manuscripts in the Vatican, till Frederick Adelung in the year 1799,
brought it to light some centuries after the very name of the poet had
perished. Read the compliment, reader, if thou canst as given by the
German antiquary, without note, comment, glossary, or punctuation. I
can answer for the fidelity of my transcript, though not of his text.
_Zu mir in gar glicher wise
Quam us hymels paradyse
Vil manich schöne frouwe name
Jeglicher wol die kron zam
Sie waren schöne und gecleit
Vrauwelicher zuchte mynnekeit
Sie ziert ine danne riche gewant
Mir wart iglicher name bekant
Wanne er in geschriben was
An ir vorgespan als ich las_
PHISONOMIA _kunstenriche
Gutlicht redt wider mich
Wir byden dich herre bescheiden
Das du in gottes geleiden
Dust machen myne lobelich kunst
So hastu mynneclichen gunst
Von mir und myner gespilen vil
Der igliche dich des bidden wil
Das du in erkennen gebest
Und du in unser früntschaft lebest
Alleine din cleit sy donne
Got wil dir geben solich wonne
Die mannich gelerter mane
Nummer mer gewynnen kan._
There was no truth in Physiognomy when she made this promise to her
medico-poet. Yet he deserved her gratitude for he taught that her
unerring indications might be read not in the countenance alone, but
in all the members of the human body.
In cases of disputed inheritance, when it is contended that the heir
claimant is not the son of his reputed father, but a spurious, or
supposititious child, such a series of portraits would be witnesses,
he thought, against whose evidence no exception could be taken. Indeed
such evidence would have disproved the impudent story of the Warming
Pan, if any thing had depended upon legitimacy in that case; and in
our times it might divest D. Miguel of all claim to the crown of
Portugal, by right of birth.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account