His "Religio Medici," "Hydrotaphia or Urn Burial," and "The Garden of Cyrus," have been my favourites for more than half a century. Of the latter work, John Addington Symonds has finely and truly said, that "the rarer qualities of Sir Thomas Browne's style (are) here displayed in rich maturity and heavy-scented blossom. The opening phrase of his dedication to Sir Thomas Le Gros--'When the funeral pyre was out, and the last valediction over, men took a lasting adieu of their interred friends, little expecting the curiosity of future ages should comment on their ashes;'--this phrase strikes a key-note to the sombre harmonies which follow, connecting the ossuaries of the dead, the tears quenched in the dust of countless generations, with the vivid sympathy and scrutinizing sagacity of the living writer.... I will only call attention to the unique feeling for verbal tone, for what may be called the musical colour of words, for crumbling cadences, and the reverberation of stationary sounds in cavernous recesses, which is discernable at large throughout the dissertation. How simple, for example, seems the collocation of vocables in this phrase--'Under the drums and tramplings of three conquests!' And yet with what impeccable instinct the vowels are arranged; how naturally, how artfully, the rhythm falls! Take another, and this time a complete sentence,--'But the iniquity of oblivion blindly scattereth her poppy, and deals with the memory of men, without distinction to merit of perpetuity.' Take yet another--'The brother of death daily haunts us with dying mementoes.'" I take leave of this, the most notable of English Physicians, by transcribing the following grand, suggestive, and characteristic passage from his "Fragment on Mummies":--"Yet in these huge structures and pyramidial immensities of the builders, whereof so little is known, they seemed not so much to raise sepulchres or temples to death, as to contemn and disdain it, astonishing heaven with their audacities, and looking forward with delight to their interment in those eternal piles. Of their living habitations they made little account, conceiving of them but as _hospitia_, or inns, while they adorned the sepulchres of the dead, and planting them on lasting basis, defied the crumbling touches of time and the misty vaporousness of oblivion. Yet all were but Babel vanities. Time sadly overcometh all things, and is now dominant, and sitteth upon a sphinx, and looketh unto Memphis and old Thebes, while his sister Oblivion reclineth semisomnous on a pyramid, gloriously triumphing, making puzzles of Titanian erections, and turning old glories into dreams. History sinketh beneath her cloud. The traveller, as he paceth amazedly through those deserts, asketh of her, who builded them? and she mumbleth something, but what it is he heareth not."