The birthplace of Harold and Elizabeth was one of the thousands and
thousands of plain American homes in Kentucky and elsewhere that are the
breeding-grounds and fortresses of the Republic's impregnable virtue.
The house had never taught them a bad lesson; it had never offered them
an architectural trait to which their own coarser human traits could
attach themselves. It had never uttered a suggestion that there is
anything wrong in the human nature dwelling within it or human nature
approaching it from without. It was built against one enemy--the
climate. And whenever the climate began war on the house, the children
had a chance to see how well prepared for war it was: the climate always
retreated, whipped in the end.
Their land was like their birthplace. The earliest generations of little
white Kentuckians had good reason to dread their country--no children
anywhere ever had more. It was their Dark Ages. Death encompassed them.
Torture snatched them from the breast. Terror cradled them. But all that
was good and great in their parents fought on their side; and through
the Dark Ages of the West shone the lustre of a new chivalry.
But all that was changed long ago--changed except to history; and to
gratitude which is the memory of the heart. On these plains of Kentucky
no wildness any more, nothing unknown lurking anywhere: a deep strong
land completely gentled but not weakened; over it drifting the lights
and shadows of tranquil skies; and throbbing always in the heart of it a
passion of tenderness that draws its wandering children back across all
distances and through all years.
Ay, there were three great spirits that walked with the lad that day and
with the uncounted army of his peers; the spirit of their race--the old
Anglo-Saxon race that has made its best share of the world's history by
cutting away with its sword the rotting curtains that conceal sham and
superstition; the spirit of his country which moves with resistless
strength toward the real and the strong; and the spirit of the plain
American home--that fortress where the real and the ideal meet.
II
FOUR IN A CAGE
Public-domain text, read in full here on John Shaqi.
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