There was no special brilliancy or eloquence in all this, but it sounded different from other people's talk, somehow. The languid, lingering tones were very cordial in spite of their languor; and then how splendid the speaker looked in his loose black velvet morning coat, which harmonized so exquisitely with the Rembrandt hues of his complexion! There was a waxen-looking hothouse flower in his button-hole, and across that inspiration of a West-end tailor, his waistcoat, there glimmered a slender chain of very yellow gold, with onyx cameos and antique golden coins hanging to it,--altogether different from the clumsy yellow lockets and fusee-boxes which dangled on the padded chests of the officers at Conventford, whom Isabel had until lately so implicitly believed in. Mr. Lansdell led the way into a room, beyond which there were other rooms opening one into the other in a long vista of splendour and sunshine. Isabel had only a very faint idea of what she saw in those beautiful rooms. It was all a confusion of brightness and colour, which was almost too much for her poor sentimental brain. It was all a splendid chaos, in which antique oak cabinets, and buhl and marqueterie, and carved ebony chairs, and filagree-work and ivory, old Chelsea, Battersea, Copenhagen, Vienna, Dresden, Sèvres, Derby, and Salopian china, Majolica and Palissy ware, pictures and painted windows, revolved like the figures in a kaleidoscope before her dazzled eyes. Mr. Lansdell was very kind, and explained the nature of some of these beautiful things as he loitered here and there with his guests. George walked softly, with his hat in his hand, as if he had been in church, and stared with equal reverence at everything. He was pleased with a Vandevilde, because the sea was so nice and green, and the rigging so neatly made out; and he stopped a minute before a Fyt to admire the whiskers of a hare; and he thought that a plump-shouldered divinity by Greuze, with melting blue eyes and a grey satin gown, was rather a fine young woman; but he did not particularly admire the Murillos or the Spagnolettis, and thought that the models who sat to those two masters would have done better had they washed their faces and combed their hair before doing so. Mr. Gilbert was not enthusiastic about the pictures; but Isabel's eyes wandered here and there in a rapture of admiration, and by-and-by those great dark eyes filled with tears before the gem of Mr. Lansdell's collection, a Raffaelle, a picture of the Man of Sorrows half fainting under the cruel burden of His cross, sublime in resignation, unspeakably sorrowful and tender; an exquisite half-length figure, sharply defined against a vivid blue sky. "My father believed in that picture," said Mr. Lansdell; "but connoisseurs shrug their shoulders and tell me that it never stood upon the easel of Raffaelle d'Urbino."