the Bagnes de Brest; the dark-whiskered man yonder, who leans over the
lady's chair, is an escaped forger; the Carlist noble is asking friendly
counsel of a Christino spy; the London pickpocket offers his jewelled
snuff-box to an Archduke of Austria. "How goes the game today?" cries
a Neapolitan prince of the blood, and the question is addressed to
a red-bearded Corsican, whose livelihood is a stiletto. "Is that the
beautiful Countess of Hapsburg?" asks a fresh-looking Oxford man; and
his friend laughingly answers: "Not exactly; it is Mademoiselle Varenne,
of the Odéon." The fine-looking man yonder is a Mexican general, who
carried off the military chest from Guanaguato; the pompous little
fellow beside him is a Lucchese count, who stole part of the Crown
jewels of his sovereign; the long-haired, broad-foreheaded man, with
open shirt-collar, so violently denouncing the wrongs of injured Italy,
is a Russian spy; and the dark Arab behind him is a Swiss valet, more
than suspected of having murdered his master in the Mediterranean.
Our English contingent embraces lords of the bedchamber, members of
Parliament, railroad magnates, money-lending attorneys, legs, swells,
and swindlers, and a small sprinkling of University men, out to read
and be ruined,--the fair sex, comprising women of a certain fast set in
London, divorced countesses, a long category of the widow class, some
with daughters, some without. There is an abundance of good looks,
splendid dress, and money without limit! The most striking feature of
all, however, is the reckless helter-skelter pace at which every one is
going, whether his pursuit be play, love, or mere extravagance. There
is no such thing as calculation,--no counting the cost of anything. Life
takes its tone from the tables, and where, as wealth and beggary succeed
each other, so does every possible extreme of joy and misery, people
wager their passions and their emotions exactly as they do their
bank-notes and their gold pieces. Chance, my dear Bob,--chance is
ten times a more intoxicating liquor than champagne, and once take to
"dramming" with fortune, and you may bid a long adieu to sobriety! I do
not speak here of the terrible infatuation of play, and the almost utter
impossibility of resisting it, but I allude to what is infinitely worse,
the certainty of your applying play theories and play tactics to every
event and circumstance of real life.
Public-domain text, read in full here on John Shaqi.
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