How ashamed I am not to be able to tell you of all I have seen! But so it is,--description is a very tame performance in good hands; it is a lamentable exhibition in weak ones! As to painters, I prefer Vandyk to Rubens; not that I have even the pretence of a reason for my criticism. I know nothing, whatever, of what constitutes excellence in color, drawing, or design. I understand in a picture only what it suggests to my own mind, either as a correct copy of nature, or as originating new trains of thought, new sources of feeling; and by these tests Vandyk pleases me more than his master. But, shall I own it, there is a class of pictures of a far inferior order that gives me greater enjoyment than either, I meau those scenes of real life, those representations of some little uneventful incident of the every-day world,--an old chemist at work in his dim old laboratory; an old house Vrow knitting in her red-tiled chamber, the sunlight slanting in, and tipping with an azure tint the tortoiseshell cat that purrs beside her; a lover teaching his mistress the guitar; an old cavalier giving his horse a drink at a fountain. These, in all the lifelike power of Gerard Dow, Teerburgh, or Mieris, have a charm for me I cannot express. They are stories, and they are better than stories; for oftentimes the writer conveys his meaning imperfectly, and oftentimes he overlays you with his explanations, stifling within you those expansive bursts of sentiment that ought to have been his aim to evoke, and thus, by elaborating, he obliterates. Now, your artist--I mean, of course, your great artist--is eminently suggestive. He gives you but one scene, it is true, but how full is it of the past, and the future too! Can you gaze on that old alchemist, with his wrinkled forehead, and dim, deep-set eyes, his threadbare doublet, and his fingers tremulous from age? Can you watch that countenance, calm but careworn, where every line exhibits the long struggle there has been between the keen perceptions of science and the golden dreams of enthusiasm, where the coldest passions of a worldly nature have warred with the most glorious attributes of a poetic temperament? Can you see him, as he sits watching the alembic wherein the toil of years is bubbling, and not weave within your own mind the life-long conflict he has sustained? Have you him not before you in his humble home, secluded and forgotten of men, yet inhabiting a dream-world of crowded images? What beautiful stories--what touching little episodes of domestic life--lie in the quiet scenes of those quaint interiors; and how deep the charm that attaches one to these peaceful spots of home happiness! The calm intellectuality of the old, the placid loveliness of the young, the air of cultivated enjoyment that pervades all, are in such perfect keeping that you feel as though they imparted to yourself some share of that gentle, tranquil pleasure that forms their own atmosphere!