These Italians, Tom, are very like the Irish. There is the same
blending of mirth and melancholy in the national temperament, the
same imaginative cast of thought, the same hopefulness, and the same
indolence. In justice to our own people, I must say that they are the
better of the two. Paddy has strong attachments, and is unquestionably
courageous; neither of these qualities are conspicuous here. It would
be ungenerous and unjust to pronounce upon the _naturel_ of a people
who for centuries have been subjected to every species of misrule, whose
moral training has been also either neglected or corrupted, and whose
only lessons have been those of craft and deception. It would be worse
than rash to assume that a people so treated were unfitted for a freedom
they never enjoyed, or un suited to a liberty they never even heard of.
Still, I may be permitted to doubt that Constitutional Government will
ever find its home in the hearts of a Southern nation. The family,
Tom,--the fireside, the domestic habits of a Northern people, are the
normal schools for self-government. It is in the reciprocities of a
household men learn to apportion their share of the burdens of life, and
to work for the common weal. The fellow who with a handful of chestnuts
can provision himself for a whole day, and who can pass the night
under the shade of a fig-tree, acknowledges no such responsibilities.
All-sufficing to himself, he recognizes no claims upon him for exertion
in behalf of others; and as to the duties of citizenship, he would
repudiate them as an intolerable burden. Take ray word for it,
Parliamentary Institutions will only flourish where you have coal-fires
and carpets, and Elective Governments have a close affinity to
easy-chairs and hearth-rugs!
You are curious to learn "how far familiarity with works of high art may
have contributed to influence the national character of Italy." I
don't like to dogmatize on such a subject, but so far as my own narrow
experience goes, I am far from attributing any high degree of culture
to this source. I even doubt whether objects of beauty suggest a high
degree of enjoyment, except to intellects already cultivated. I suspect
that your men of Glasgow or Manchester, who never saw anything more
artistic than a power-loom and a spinning-jenny, would stand favorable
comparison with him who daily passes beside the "Dying Gladiator" or the
Farnese Hercules.
Of course I do not extend this opinion to the educated classes, amongst
whom there is a very high range of acquirement and cultivation. They
bring, moreover, to the knowledge of any subject a peculiar subtlety
of perception, a certain Machiavellian ingenuity, such as I have never
noticed elsewhere. A great deal of the national distrustful-ness and
suspicion has its root in this very habit, and makes me often resigned
to Northern dulness for the sake of Northern reliance and good faith.
Public-domain text, read in full here on John Shaqi.
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