Historical fiction; Jerusalem -- Fiction; Jerusalem -- History -- Siege, 70 A.D. -- Fiction; Man-woman relationships -- Fiction
Liberalis did so, but all in vain; respect for Cæsar gave way to the
insatiable desire for plunder.
“Let us see the interior of the Golden House, ere it perish forever,”
said Alexander.
Speaking thus, he led the way; Titus and his staff followed, walking
ankle-deep in blood.
Entering the Propyleon, a magnificent porch with wings on each hand
extending far beyond the width of the shrine, they stood before the
great golden gate, and found it barred from within.
“’Twill require a battering-ram to force it,” said Titus, hesitating at
such a measure. There came into his mind tales told him by Berenice of
Gentiles who had fallen dead for profaning a place sacred to the Jewish
priesthood only.
“There is a little wicket at the side by which the priest enters to
unbar the door in the morning,” said Alexander. “The noble Agrippa will
perhaps lead the way?” he added, addressing that king, who stood beside
Titus.
But Agrippa declined the honor.
“Nay, I’ll give thee the precedency,” he answered.
“Thy face is pale, Agrippa. Thou fearest,” sneered Alexander.
What no orthodox Jew durst do, and what even the Roman hesitated at,
was done by the apostate Alexander.
Putting his shoulder to the little wicket he forced it wide, passed
boldly within, and, having first drawn aside the Babylonian curtain, he
unbarred the double doors, and flung open the Holy Place to the profane
gaze of the Romans, who saw what they had never before seen, what no
man would ever see again.
A low murmur of admiration broke from Titus and his staff at the beauty
of the golden interior all radiant in the wild light of the leaping
flames.
On the right or north side was seen the golden table, but without the
twelve loaves of shewbread; on the left the seven-branched golden
candlestick, unlighted; at the far end rose the golden altar of
incense, standing in front of the solemn “veil,” a curtain of linen
finely twined; in color an admirable mingling of blue, and scarlet, and
purple, and wrought in golden thread with the figures of cherubim.
“Let these things be brought forth and kept against the day of my
triumph,” said Titus.
Emboldened by the example of Alexander he passed into the Holy Place
and came to the veil that hung at its far end.
This Alexander lifted, and Titus gazed with curious eye upon the Holy
of Holies, the place where the Shechinah had once dwelt. But the Divine
Presence had long since departed; the place was empty save for an
oblong stone upon which rested a golden ark with two golden cherubim,
one on each side, having their faces bent downwards and their wings
expanded. The stone itself was not without interest, seeing that, in
Hebrew opinion, it marked the very center of the earth’s surface.
Directing that the ark and the cherubim, with the other sacred
furniture, should be carried to his own quarters, Titus came forth
again.
The imagination of Dante could scarcely conceive a scene more wild and
weird than that now taking place.
Public-domain text, read in full here on John Shaqi.
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