"It is her sister Nanna," he muttered to himself, and knew that he lied
in saying it. The old wives' tales, at which he had shuddered in
boyhood, came crowding back upon him--grisly legends of vampire shapes
and of the phantoms, invariably feminine in form, who were said to
inhabit ruined places. A panic terror seized him as he watched the
apparition gliding so swiftly and noiselessly upon the unconscious girl.
Yet he continued to run forward, stumbling and slipping on the
treacherous foothold of melting snow.
Esmay had reached a side door of the main building; quite naturally she
entered and closed the door behind her, while the white-robed figure,
after hesitating a moment, walked to a far corner of the house and
disappeared. Out of the indefinite distance came the deep-throated bay
of a hound. Constans turned and fled for his life.
Safely astride the wall coping he looked back. All was quiet in the
garden, and at that instant a light shone out at an upper window of the
house.
"She is safe," he told himself, and that was enough to know.
As he walked slowly westward, the thought of Ulick came again to him.
Had he really promised the girl that he would tell Ulick nothing?
Ridiculous as it may appear, he could not remember.
XVI
AS IN A LOOKING-GLASS
Arcadia House, while it certainly stood in need of the repairer's hand,
was by no means uninhabitable, a fact which spoke well for the honesty
of its old-time builders. Its oak beams, fastened together with
tree-nails instead of iron spikes, were still sound, and its brick
walls, unusually massive in construction, were without a crack. Most
important of all, the roof, shingled with the best cypress, remained
water-tight, and so protected the interior from the ruinous effects of
moisture. In outward appearance, however, Arcadia House had sadly
degenerated. The stucco that originally covered the outer walls had
fallen away here and there, leaving unsightly patches to vex the eye,
and in many of the windows the glazing had been destroyed either wholly
or in part.
Public-domain text, read in full here on John Shaqi.
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