The Doomswoman: An Historical Romance of Old CaliforniaAtherton, Gertrude Franklin Horn
General
The Doomswoman: An Historical Romance of Old California
Atherton, Gertrude Franklin Horn
California -- Fiction; Historical fiction; Western stories
"Thy heart is a comb of honey, señorita. On my knees I accept the
little morsel the queen bee--thy swift messenger--brings me. Truly,
never was sweet so sweetly sweet."
"It is thou who hast the honey on thy tongue, although I fear there
may be a stone in thy heart."
"Ah! Why? No stone could sit so lightly in my breast as my heart when
those red lips smile to me."
Chonita listened to this conversation with mingled amazement and
anger. She did not doubt Estenega's sincerity to herself; neither did
Valencia appear to doubt him. But his present levity was manifest to
her. Why should he care to talk so to another woman? How strange were
men! She gave up the problem.
After the long banquet concluded, the cavalcade formed once more, and
we returned to the town. Prudencia rode her white horse alone this
time, her husband beside her. Leading the cavalcade was the Presidio
band. Its members wore red jackets trimmed with yellow cord, Turkish
trousers of white wool, and red Polish caps. With their music mingled
the regular detonations of the Presidio cannon. After we had wound
the length of the valley we made a progress through the town for the
benefit of the populace, who ran to the corridors to watch us, and
shouted with delight. But the sun was hot, and we were all glad to be
between the thick adobe walls once more.
We took a long siesta that day, but hours before dark the populace
was crowded in the court-yard under the booth which had been erected
during the afternoon. After the early supper the guests of Casa
Grande, and our neighbors of the town, filled the sala, the large bare
rooms adjoining, and the corridors. The old people of both degrees
seated themselves in rows against the wall, the fiddles scraped, the
guitars twanged, the flutes cooed, and the dancing began.
In the court-yard a small space was cleared, and changing couples
danced El Jarabe and La Jota,--two stately jigs,--whilst the
spectators applauded with wild and impartial enthusiasm, and Don
Guillermo from the corridor threw silver coins at the dancers' feet.
Now and again a pretty girl would dance alone, her gay skirt lifted
with the tips of her fingers, her eyes fixed upon the ground. A man
would approach from behind and place his hat on her head. Perhaps she
would toss it saucily aside, perhaps let it rest on her coquettish
braids,--a token that its owner was her accepted gallant for the
evening.
Public-domain text, read in full here on John Shaqi.
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