The Doomswoman: An Historical Romance of Old CaliforniaAtherton, Gertrude Franklin Horn
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The Doomswoman: An Historical Romance of Old California
Atherton, Gertrude Franklin Horn
California -- Fiction; Historical fiction; Western stories
But there was nothing,--not even the glow of a late cigarito or the
flash of a falling star. Still she seemed to know where the soul
awaited her. She closed her door softly and walked swiftly down the
corridor, her bare feet making no sound on the boards. At a door on
the opposite side she paused, shaking violently, but unable to pass
it. She opened the door and went in. The room, like all the others in
that time of festivity, had more occupants than was its wont; a bed
was in each corner. The shutters and windows were open, the moonlight
streamed in, and she saw that all were asleep. She crossed the room
and looked down upon Diego Estenega. His night garment, low about the
throat, made his head, with its sharply-cut profile, look like the
heads on old Roman medallions. The pallor of night, the extreme
refinement of his face, the deep repose, gave him an unmortal
appearance. Chonita bent over him fearfully. Was he dead? His
breathing was regular, but very quiet. She stood gazing down upon him,
the instinct of seeking vanished. What did it mean? Was this her soul!
A man? How could it be? Even in poetry she had never read of a man
being a woman's soul,--a man with all his frailties and sins, for the
most part unrepented. She felt, rather than knew, that Estenega had
trampled many laws, and that he cared too little for any law but his
own will to repent. And yet, there he lay, looking, in the gray light
and the impersonality of sleep, as sinless as if he had been created
within the hour. He looked not like a man but a spirit,--a soul; and
the soul was hers.
Again she asked herself, what did it mean? Was the soul but brain? She
and he were so alike in rudiments, yet he so immeasurably beyond her
in experience and knowledge and the stronger fiber of a man's mind--
He awoke suddenly and saw her. For a moment he stared incredulously,
then raised himself on his hand.
"Chonita!" he whispered.
But Chonita, with the long glide of the Californian woman, faded from
the room.
When she awoke the next morning she was assailed by a distressing
fear. Had she been to Estenega's room the night before? The memory was
too vivid, the details too practical, for a sleep-vagary. At breakfast
she hardly dared to raise her eyes. She felt that he was watching her;
but he often watched her. After breakfast they were alone at one end
of the corridor for a moment, and she compelled herself to raise her
eyes and look at him steadily. He was regarding her searchingly.
She was not a woman to endure uncertainty.
"Tell me," she cried, trembling from head to foot, the blood rushing
over her face, "did I go to your room last night?"
"Doña Chonita!" he exclaimed. "What an extraordinary question! You
have been dreaming."
XXIII.
Public-domain text, read in full here on John Shaqi.
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