The Door in the Wall, and Other StoriesWells, H. G. (Herbert George)
Science
The Door in the Wall, and Other Stories
Wells, H. G. (Herbert George)
Fantasy fiction, English; Science fiction, English; Short stories
A blue haze, half dust, half mist, touched the long valley with
mystery. Beyond were Hanley and Etruria, grey and dark masses, outlined
thinly by the rare golden dots of the street lamps, and here and there
a gaslit window, or the yellow glare of some late-working factory or
crowded public-house. Out of the masses, clear and slender against the
evening sky, rose a multitude of tall chimneys, many of them reeking, a
few smokeless during a season of “play.” Here and there a pallid patch
and ghostly stunted beehive shapes showed the position of a pot-bank,
or a wheel, black and sharp against the hot lower sky, marked some
colliery where they raise the iridescent coal of the place. Nearer at
hand was the broad stretch of railway, and half invisible trains
shunted—a steady puffing and rumbling, with every run a ringing
concussion and a rhythmic series of impacts, and a passage of
intermittent puffs of white steam across the further view. And to the
left, between the railway and the dark mass of the low hill beyond,
dominating the whole view, colossal, inky-black, and crowned with smoke
and fitful flames, stood the great cylinders of the Jeddah Company
Blast Furnaces, the central edifices of the big ironworks of which
Horrocks was the manager. They stood heavy and threatening, full of an
incessant turmoil of flames and seething molten iron, and about the
feet of them rattled the rolling-mills, and the steam hammer beat
heavily and splashed the white iron sparks hither and thither. Even as
they looked, a truckful of fuel was shot into one of the giants, and
the red flames gleamed out, and a confusion of smoke and black dust
came boiling upwards towards the sky.
“Certainly you get some fine effects of colour with your furnaces,”
said Raut, breaking a silence that had become apprehensive.
Horrocks grunted. He stood with his hands in his pockets, frowning down
at the dim steaming railway and the busy ironworks beyond, frowning as
if he were thinking out some knotty problem.
Raut glanced at him and away again. “At present your moonlight effect
is hardly ripe,” he continued, looking upward. “The moon is still
smothered by the vestiges of daylight.”
Horrocks stared at him with the expression of a man who has suddenly
awakened. “Vestiges of daylight? . . . . Of course, of course.” He too
looked up at the moon, pale still in the midsummer sky. “Come along,”
he said suddenly, and, gripping Raut’s arm in his hand, made a move
towards the path that dropped from them to the railway.
Raut hung back. Their eyes met and saw a thousand things in a moment
that their eyes came near to say. Horrocks’ hand tightened and then
relaxed. He let go, and before Raut was aware of it, they were arm in
arm, and walking, one unwillingly enough, down the path.
Public-domain text, read in full here on John Shaqi.
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