The Doves' Nest, and Other StoriesMansfield, Katherine
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The Doves' Nest, and Other Stories
Mansfield, Katherine
Fiction; Short stories, New Zealand
Although it sounded all the year round, although it rang out sometimes as
early as half-past six in the morning, sometimes as late as half-past ten
at night, it was in the spring, when Bengel’s violet patch just inside
the gate was blue with flowers that that piano ... made the passers-by
not only stop talking, but slow down, pause, look suddenly—if they were
men—grave, even stern, and if they were women—dreamy, even sorrowful.
Tarana Street was beautiful in the spring; there was not a single house
without its garden and trees and a plot of grass big enough to be called
“the lawn.” Over the low painted fences, you could see, as you ran by,
whose daffys were out, whose wild snowdrop border was over and who had
the biggest hyacinths, so pink and white, the colour of cocoanut ice.
But nobody had violets that grew, that smelled in the spring sun like
Bengel’s. Did they really smell like that? Or did you shut your eyes and
lean over the fence because of Edie Bengel’s piano?
A little wind ruffles among the leaves like a joyful hand looking for the
finest flowers; and the piano sounds gay, tender, laughing. Now a cloud,
like a swan, flies across the sun, the violets shine cold, like water,
and a sudden questioning cry rings from Edie Bengel’s piano.
... Ah, if life must pass so quickly, why is the breath of these flowers
so sweet? What is the meaning of this feeling of longing, of sweet
trouble—of flying joy? Goodbye! Farewell! The young bees lie half awake
on the slender dandelions, silver are the pink tipped arrowy petals of
the daisies; the new grass shakes in the light. Everything is beginning
again, marvellous as ever, heavenly fair. “Let me stay! Let me stay!”
pleads Edie Bengel’s piano.
It is the afternoon, sunny and still. The blinds are down in the front to
save the carpets, but upstairs the slats are open and in the golden light
little Mrs. Bengel is feeling under her bed for the square bonnet box.
She is flushed. She feels timid, excited, like a girl. And now the tissue
paper is parted, her best bonnet, the one trimmed with a jet butterfly,
which reposes on top, is lifted out and solemnly blown upon.
Public-domain text, read in full here on John Shaqi.
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