The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
The general application of this to the question in hand is obvious
enough. But there is another point which it illustrates—a point which
we have raised before. I am convinced that science will never yield any
very fruitful understanding of the world, until it recognizes that
_life_ and _intelligence_ (of course in the broadest signification)
pervade all the phenomena of Nature. It is perfectly useless to try to
explain human development, human destiny, mental activity, the forces of
nature, and so forth, in terms of dead matter. No explanation of such a
kind could possibly be satisfying. And more and more it is becoming
clear that even what we call the inorganic world is as subtle and swift
in its responses as what we call the organic. Many difficulties must
inevitably arise in any attempted solution of the problem before
us—that problem which is generally denoted by “the nature of the soul
and its relation to the body”; but we shall never arrive at any
harmonious view of the whole question until we are persuaded, and
practically assume, that life and intelligence in some degree are
characteristic of all that we call ‘matter’ as well as of all we call
mind, and pervade the whole structure of the universe. We shall then see
that the forces, for instance, which organize and direct the human body,
even down to its minutest parts, are probably just as individual and
intelligent in their action as those (to take the example just given)
which organize and direct an army-corps.
CHAPTER XI
ON THE CREATION AND MATERIALIZATION OF FORMS
I have suggested more than once, in preceding chapters of this book, and
in _The Art of Creation_ and elsewhere, that in the ordinary evolution
of thought, in dreams, in trance and in other psychic states, we are
witness of a process which is continually and eternally going on, by
which the faintest invisible forms and outlines, the nearest
cloud-currents of the inner soul, gradually condense themselves, pass
into visibility, tangibility, and so forth, and (if the process is
continued) ultimately take their place among the substantial things of
the outer world.
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