The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
Eusapia Paladino, for instance—though capable of little
fraudulences—was obviously the seat of extraordinary powers not to be
explained by these. Mr. Carrington, who made a special study of this
medium, and who (as I have said before) has also made a special study of
fraudulent methods in so-called spiritualism, vouches most strongly for
the great exhibitions of inexplicable _force_ in her
vicinity—especially perhaps in the way of _levitations_. He
says:—“Every one who has studied Eusapia’s phenomena knows that
practically every seance (for some reason) commences with
table-levitations—this, whether they are wanted or not! It seems the
necessary programme, and it is almost invariably carried out. Seeing
them time after time, one can obtain a very fair idea of their nature
and reality. And I may say that I now consider levitations as well
established as any other physical facts. They are not open to the
objection to which most psychical phenomena are subjected—that they
cannot be repeated or induced and studied experimentally, as one would
study other physical facts—for they can be induced and studied in just
this laboratory manner. I have probably seen several hundreds of these
levitations now, under every conceivable condition and in _excellent
light_, and I consider them so far established that, as Count Solovovo
said, “the burden of proof is now on the man who asserts that they are
_not_ real, not upon the man who asserts that they _are_.” These are
pretty strong words, and by a very responsible observer! And then Mr.
Carrington proceeds with a detailed account of these and other physical
phenomena.[119]
Public-domain text, read in full here on John Shaqi.
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