The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
Such, briefly described, are I believe the outlines of the reincarnation
story. To put it in a few words, the whole process by which the
race-self evolves and finally gives birth to myriads of free,
independent and deathless individuals curiously resembles and may well
be illustrated by a certain biological phenomenon common both in the
vegetable and the animal worlds. Some growing stem or portion of tissue,
perhaps of a plant, perhaps of a sponge or higher organism, is at first
of a simple homogeneous character, fairly uniform and undifferentiated:
but after a time it exhibits knobs and inequalities, which presently
define themselves in a sort of _botryoidal_ or clustered bud-like growth
(as, for instance, in the spadix of an arum or the ovary of a mammal);
finally these knobs or buds become entirely distinct and fully formed,
and are thrown off ‘free,’ as seeds (in the case of plants and animals),
or gemmules (in the case of sponges), or spores (in ferns and mosses),
or as fresh and complete individuals in many aquatic creatures—in any
case to enter on the beginnings of a free and independent life of their
own. This kind of process, anyhow, is found in every department of
biology, and it may well be that it extends upward even into the highest
domains. The growing stem—proliferating cells without number, which are
born and die in a kind of even uniformity within the limits of the
stem—corresponds to the race-self in its early stages; the formation of
knobs and buds in various degrees of clustered development corresponds
to the partial growth of human souls out of the race-soul; and the
liberation of the buds and germs corresponds to the liberation of the
human souls into the freedom of a universal life.
CHAPTER XIII
THE DIVINE SOUL
Public-domain text, read in full here on John Shaqi.
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