The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
And not only limitation but also hindrance. These things give an
intensity and passion to life, and a power and decisiveness to
individuality, the absence of which would indeed be sad. As a
water-conduit by limiting the spread of the stream and confining it in a
close channel gives it velocity and force to drive the mill, so
limitation and hindrance in human life give the individualized energy
from which, for good or evil, all our world-activities spring. As the
Lord says in Goethe’s Prologue to _Faust_:—
“Of all the spirits of denial
The mischief-maker I most tolerate,
For man’s activity doth all too soon unravel;
Of slumber he seems never satiate;
Therefore I gladly hand him to a mate
Who’ll plague and prick, and play in fact the Devil.”
Over a long period in this cosmic process this action, we may think,
goes on. The vast and pervasive soul-stuff of the universe, in its
hidden way omniscient and omnipresent, suffers an obscuration and a
limitation, and is condensed into a bodily prison in a point of space
and time; but with a consequent explosive energy incalculable. The
Devil—_diabolos_ the slanderer and the sunderer, the principle of
division—reigns. To him, the ‘milk and water’ heaven of universal but
vague benevolence is detestable. He builds up the actual, fascinating,
tragic, indispensable world that we know. Selfishness and ignorance, the
two great Powers of discord and separation, are his ministers; the earth
is his theatre of convulsive hatreds and soul-racking passion; and our
mortal life, instead of being the fair channel of cosmic activities,
becomes a “stricture knot,” as Whitman calls it, and a symbol of
disease.
Public-domain text, read in full here on John Shaqi.
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