The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
It may be imagined that the gross terrestrial body—though splendidly
necessary for the localizing of the Self, and the establishment of the
sense of identity, and for the electric accumulation of stores of
emotion and passion, and so forth—acts on the whole in such a way as to
greatly hamper and limit the activities of the inner body; and we can
imagine that (as at death and under other special conditions) the
liberation from the gross body is naturally accompanied by an enormous
extension of faculty. The soul in its new and subtler form passes out
into an immensely wider sphere of action and perception—so much so,
indeed, as to make direct converse between the two worlds (the new world
it is in, and the old one it has left) difficult to establish and very
difficult permanently to maintain. The author of _Interwoven_ says (p.
221) that the first body and the second body differ greatly in their
chemical particles, “and so the same degree of sight and hearing is not
possible.... _We_ have just as much trouble to see the outsides of
things as mortals have to see the insides.”
Nor can we place a necessary limit to the birth of finer bodies. There
may be a succession of such things. The electron brings us very near to
a _mental_ state; for whereas an Atom—conceived as similar to the speck
of dust which one can roll between one’s fingers, only much more
minute—seems to have no relation to mentality, a tiny electric charge,
capable of conveying a _shock_, comes very close! And at that stage the
truth becomes apparent that the inner intelligent being in all things is
the core, and the body is only the surface of contact—the surface, in
fact, along which one intelligence administers shocks to another! With
liberation from the gross body that surface may grow enormously
extended, and it may become possible to _touch_ or _see_, or to render
oneself visible or tangible, to others far beyond all ordinary
possibilities of contact or perception.
The succession of finer bodies may exist in any gradation, from what we
call gross matter to the subtlest ether of emotion. At any rate we can
see that at every stage there will be a finer body which is _more_ of
the nature of thought, and an outer and coarser which is less so. As the
gifted author of _The Science of Peace_, Bhagavan Das, says:—“At each
stage the Jiva-core (_i.e._ the core of the living individual) consists
of matter of the inner plane, while its outer upâdhi (or sheath)
consists of matter of the outer plane; and when a person says, I think,
I act, it means that the matter of the inner core, which is the I, for
the time being, is actually, positively, modified by, or is itself
modifying in a certain manner, the outer real world.” The inner film of
matter (or mind), as he says, “is posing and masquerading, for the time
being, as the truly immaterial self.”
Public-domain text, read in full here on John Shaqi.
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