The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
When the consciousness arises of this fact, that we need not be tied to
John Smith forever—that our real self is far vaster, and essentially
one with others, then in each of us the Divine Soul is born; a vista of
glory and splendor opens in front, and on all sides the barriers fall to
the ground. On the way to this supreme conclusion the stream of memories
which one calls oneself may of course take on form after form; it may
bifurcate, or it may fuse with other streams. That does not very much
matter. The real identity, once established, can hardly be lost. For
every leaf there is a channel of sap which connects it with the main
trunk. Personality is real, but it yields itself up in the greater
Individual of which it is the expression; and the individual or divine
soul is real—enduring perhaps many thousands of years—but it yields
itself up ultimately in the All. Finally, in that union, Memory itself,
in its mortal form, ceases, for it is swallowed up in actual
realization, in the power of actual presence in all space and time. The
divine soul which has thus completed its union needs memory no more. It
is there wherever it desires to be. As the author of _Siderische Geburt_
(Berlin, 1910) says, “We mortals are separated from the divine
all-embracing universal Vision; and Memory is only a first glimmering
reawakening—a beginning of renewed seraphic life and a coming into
relation with all that lies beyond the little world-corner of our
presence.”[144]
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Public-domain text, read in full here on John Shaqi.
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