The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
And so we seem to find—in the farthest and loftiest reaches of life, as
in its first beginnings—Love and Death strangely linked and strangely
related. Changing their form but not their essence they accompany us to
the last; and we forebode them, in the final account, as no longer the
tyrannous and often terrible over-lords of our mortal days, but rather
our most indispensable companions without whom life in its higher ranges
could not well be maintained.
For a time, certainly, we cling to our limited and tiny self-life and
consciousness; and deem that all good resides in the careful guarding of
the same. But again there comes a time when the bounds of personality
confine and chafe beyond endurance, when an immense rage sweeps us far
out into the great ocean; when to save our lives we deliberately lose
them; when Death becomes a passion even as Love is.
The mystery of mortal life clears, or dissolves away, by our passing in
a sense beyond personality; and the hour arrives when we look down on
these local days, these self-limitations, as phases—phases of some far
vaster state of being. Death is the necessary door by which we pass from
one such phase to another; and Love is even a similar door.
Growing silently within there emerges at last something which has its
home in the great spaces, which dives under and through Death, and is
the companion of Titanic and Cosmic beings; something strangely
surpassing all barriers and limits, and strangely finding identity by
fusing and losing it in the life of others; something which at times
seems almost mockingly to abandon its own identity and rise creative in
new forms—sporting in the great ocean; and yet can somehow instantly
recall its past and the tiny limits from which it first sprang—trailing
forever with it the wonderful cloud-wreaths of earth-memory and
association, and the myriad fragrance of personal remembrance. “What are
thou then?” says the poet, addressing his departed friend:—
“What art thou then?—I cannot guess;
But tho’ I seem in star and flower
To feel thee some diffusive power
I do not therefore love thee less.”
Even in the farthest spheres the poignant syllables ‘I’ and ‘Thou’ will
surely still be heard; and a thousand deaths shall not avail to exhaust
their meaning or to make of Love a pale and cold abstraction.
Public-domain text, read in full here on John Shaqi.
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