The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
Myers then proceeds to give a great number of very interesting and
extremely well-attested cases of such phantasms, ranging from merely
momentary apparitions of persons during their life or at the hour of
their death to the persistent haunting of houses over a long period. And
I mention this in order to show that there is good authority now for
believing it possible not only that phantasms may be generated by the
disintegration of the diseased or dying organism, which will haunt the
patient himself; but that in cases the psychic elements generating these
phantasms may be powerful enough to create a ghostly body which may
endure, surviving the earth-body, and manifesting itself to outside
observers on occasions for a considerable time.[46]
So much for the fate of the outer personality or animal part. Now with
regard to (2), the inner personality or human soul, we may ask, What
becomes of that? And the answer particularly interests us, because it is
with this section that we—or at least the more thoughtful of mankind
generally—identify “ourselves.” It is probable that almost any reader
of these pages would credit his “I” or “self,” not to the one universal
Being (to union with whom he may nevertheless distantly aspire), nor to
the group of terrestrial desires and interests which we have termed the
animal being, but rather to that constellation of nobler character which
we have called the human soul. This, he will say, is the self that truly
interests, that most deeply represents, me. Tell me, what becomes of
that?
Public-domain text, read in full here on John Shaqi.
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