The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
All this compels us, I think, not only to picture to ourselves the
mental self or soul as associated with the body, and taking part in its
development from the first inception of the latter; but also to picture
that self as in its entirety considerably _greater_ and more extensive
than the ordinary conscious self, and even as greater than any bodily
expression or manifestation which it succeeds in gaining. We are
compelled, I think, to regard the real self as at all times only
_partially_ manifested.
I think this latter point is obvious; for when, and at what period in
life, is manifestation complete? Certainly not in babyhood, when the
faculties are only unfolding; certainly not in old age, when they are
decaying and falling away. Is it, then, in maturity and middle life? But
during all that period the output of expression and character in a man
is constantly changing; and which of all these changes of raiment is
completely representative? Do we not rather feel that to express our
real selves _every_ phase from childhood through maturity even into
extreme old age ought to be taken into account? Nay, more than that; for
have we not—perhaps most of us—a profound feeling and conviction that
there are elements deep down in our natures, which never have been
expressed, and never can or will be expressed in our present and actual
lives? Do we not all feel that our best is only a fraction of what we
want to say? And what must we think of the strange facts of multiple
personality? Do they not suggest that our real self has facets so
opposite, so divergent, that for a long time they may appear quite
disconnected with each other; until ultimately (as has happened in
actual cases) they have been visibly reconciled and harmonized in a new
and more perfect character?
Public-domain text, read in full here on John Shaqi.
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