The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
For from the Under-self—as exposed in the state of trance, or in
extreme languor and exhaustion of the body, or in the moment of death,
or in dreams, or even in profound reverie—proceed (strange as it may
seem) Voices and Visions and Forms, things audible and visible and
tangible, things anyhow which are competent to impress the senses of
spectators so vividly as to be for the moment indistinguishable from the
phenomena, audible, visible and tangible, of our actual world. Amazing
as are the materializations connected with mediums—the figures which
appear, which speak, which touch and are touched, the faces, the
supernumerary feet and hands, the sounds, the lights, the movements of
objects—all in some way connected with the medium’s presence—these
phenomena are now far too well established and confirmed by careful and
scientific observation to admit (in the mass) of any reasonable
doubt.[72] And similarly with the wraiths, or phantoms which are
projected from dying or lately dead persons, the evidence for them in
general is much too abundant and well attested to allow of
disbelief.[73] What an extraordinary story, for instance, is that given
by Sir Oliver Lodge in his _Survival of Man_ (p. 101)—of a workman who
having drunk poison by mistake, appeared in the moment of death, with
blue and blotched face to his employer, to whom he was greatly attached,
and told him not to be deceived by the rumor that he (the workman) had
committed suicide! Yet the story is fully and authoritatively given in
the _Proceedings of the Society for Psychical Research_, vol. iii. p.
97, and cannot well be set aside. But if such things happen in the hour
of death, so do they also happen in the dream-state.[74] The dreamer has
a vivid dream of visiting a certain person, and is accordingly and at
that time, seen by that person. And in the state of reverie the same. It
is at times sufficient to think profoundly of any one, or to let one’s
inner self go out toward that person in order to cause an image of
oneself to be seen by him.
It will of course be said, and often is said, that those phenomena are
only hallucinations, and have no objective existence. But the sufficient
answer to that is that the things also of our actual world are
hallucinations in their degree, and certainly have no full objective
existence. The daffodil in my garden is an hallucination in that degree
that with the smallest transposition of my senses, its color, its scent,
and even its form might be quite altered. What we call its objectivity
rests on the permanence of its relations—on its continued appearance in
one spot, its visibility to different people at one time, or to one
person at different times, and so forth. But if that is the definition
of objectivity, it is obvious that the forms which have been seen over
and over again, and under strict test-conditions, in connection with
certain mediums, have had in their degree an objective existence.
Public-domain text, read in full here on John Shaqi.
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