The Drama of Love and Death: A Study of Human Evolution and TransfigurationCarpenter, Edward
Philosophy
The Drama of Love and Death: A Study of Human Evolution and Transfiguration
Carpenter, Edward
Death; Love; Personality
Without going into the vexed question of whether these and the like
manifestations are merely products or inventions of the trance-mind of
the medium or other person concerned, or whether some at least of them
are the work or evidence of separate ‘spirits’—leaving that question
open for the present—we may still say that all these things are actual
creations—creations of the hidden self of Man in some form or other;
not so assured, certainly, and not so permanent as the well-known shapes
of outer Nature; abortive creations, if you like, which come a little
way forward into manifestation, and then retreat again; but still
creations in the same sense as those more established ones; and
wonderfully revealing to us the secret of the generation and birth of
all the visible world.
* * * * *
That we should have, all of us, this magic source somewhere buried
within—this Aladdin’s lamp, this vase of the Djinns, this Pandora box
of evil as well as of good, is indeed astounding; and must cause us,
when we have once fully realized the fact, to envisage life quite
differently from what we have ever done before. It must cause us to feel
that our very ordinary and daily self—which we know so well (and which
sometimes we even get a little tired of) is only a fraction, only a flag
and a signal, of that great Presence which we really are, that great
Mass-man who lies unexplored behind the very visible and actual.
Difficult or impossible as this being may be to define, enormously
complex as it probably is, and far-reaching, and hard to gauge, yet we
see that it is _there_, undeniably there—a being that apparently
includes far extremes of faculty and character, running parallel to the
conscious self from low to high levels,[82] having in its range of
manifestation the most primitive desires and passions, and the highest
feats of intellect and enthusiasm; and while at times capable of
accepting the most frivolous suggestions and of behaving in a humorous
or merely capricious and irresponsible manner, at other times capable,
as we have seen, of taking most serious command and control of the whole
physical organism, and as far as the spiritual organism is concerned, of
rising to the greatest heights of prophecy and inspiration.[83]
Public-domain text, read in full here on John Shaqi.
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