The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the WiseLessing, Gotthold Ephraim
General
The Dramatic Works of G. E. Lessing: Miss Sara Sampson, Philotas, Emilia Galotti, Nathan the Wise
Lessing, Gotthold Ephraim
German drama -- Translations into English
Ah, Mellefont! How I too love you, for this very love's sake! You would
have offended me deeply, if you had denied the sympathy of your blood
for any scruples on my account. You have hurt me already in that you
have threatened me never to let her come into my sight. No, Mellefont!
That you will never forsake Arabella must be one of the promises which
you vow to me in presence of the Almighty! In the hands of her mother
she is in danger of becoming unworthy of her father. Use your authority
over both, and let me take the place of Marwood. Do not refuse me the
happiness of bringing up for myself a friend who owes her life to
you--a Mellefont of my own sex. Happy days, when my father, when you,
when Arabella will vie in your calls on my filial respect, my confiding
love, my watchful friendship. Happy days! But, alas! They are still far
distant in the future. And perhaps even the future knows nothing of
them, perhaps they exist only in my own desire for happiness!
Sensations, Mellefont, sensations which I never before experienced,
turn my eyes to another prospect. A dark prospect, with awful shadows!
What sensations are these? (_puts her hand before her face_.)
MELLEFONT.
What sudden change from exultation to terror! Hasten, Betty! Bring
help! What ails you, generous Sara! Divine soul! Why does this jealous
hand (_moving it away_) hide these sweet looks from me? Ah, they are
looks which unwillingly betray cruel pain. And yet this hand is jealous
to hide these looks from me. Shall I not share your pain with you?
Unhappy man, that I can only share it--that I may not feel it alone!
Hasten, Betty!
BETTY.
Whither shall I hasten?
MELLEFONT.
You see, and yet ask? For help!
SARA.
Stay. It passes over. I will not frighten you again, Mellefont.
MELLEFONT.
What has happened to her, Betty? These are not merely the results of a
swoon.
Scene V.
Norton, Mellefont, Sara, Betty.
MELLEFONT.
You are back again already, Norton? That is well! You will be of more
use here.
NORTON.
Marwood is gone----
MELLEFONT.
And my curses follow her! She is gone? Whither? May misfortune and
death, and, were it possible, a whole hell lie in her path! May Heaven
thunder a consuming fire upon her, may the earth burst open under her,
and swallow the greatest of female monsters!
NORTON.
As soon as she returned to her lodgings, she threw herself into her
carriage, together with Arabella and her maid, and hurried away, at
full gallop. This sealed note was left behind for you.
MELLEFONT (_taking the note_).
It is addressed to me. Shall I read it, Sara?
SARA.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account