The Dramatic Works of Gerhart Hauptmann, Volume IIHauptmann, Gerhart
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The Dramatic Works of Gerhart Hauptmann, Volume II
Hauptmann, Gerhart
German drama -- Translations into English
FLAMM
Are you done, mother?
MRS. FLAMM
Far from it!
FLAMM
Well, then I'll have to wait a bit longer.
MRS. FLAMM
Christie, what did I tell you that day when you out with it an' said
you wanted to marry me?
FLAMM
What was it?
MRS. FLAMM
I'm much too old for you. A woman can be sixteen years younger than her
husband, but not three or four years older. I wish you had listened to me
then!
FLAMM
Isn't it real idle to dish up those old stories now? Haven't we something
more important to do?--I may be wrong, but it seems to me that we have,
mother.--I've had no notion until to-day of what Rose means to me.
Otherwise I'd have acted very differently, of course. Now it's got to be
seen if there's anything that can be retrieved. And for that very reason,
mother, I was going to beg you not to be petty, and I wanted first of all
to try to see whether you could gain some comprehension of what really
happened. Up to the moment when it was agreed that that tottery manikin
was to marry Rose--our relations were strictly honourable. But when that
marriage was determined on--it was all over.--It may be that my ideas are
becoming confused. I had seen the girl grow up ... some of our love for
little Kurt clung to her. First of all I wanted to protect her from
misfortune, and finally, one day, all of a sudden, the way such things
happen ... even old Plato has described that correctly in the passage in
Phaedrus about the two horses:--the bad horse ran away with me and then
... then the sea burst in and the dykes crashed down.
MRS. FLAMM
'Tis a real interesting story that you've told me, an' even tricked out
with learned allusions. An' when you men do that--you think there's no
more to say. A poor woman can look out then to see how to get even! Maybe
you did it all just to make Rose happy, an' sacrificed yourself into the
bargain ... There's no excuse for such things!
FLAMM
Very well, mother. Then we'll adjourn the session. Remember though, that
when Kurt died, I couldn't bear to see the girl around the house. Who
kept her and persuaded her to come back?
MRS. FLAMM
Because I didn't want life to become so dead around us. I didn't keep her
for my sake.
FLAMM
And I have said nothing for your sake.
MRS. FLAMM
Every tear is wasted that one might shed for you an' your kind. But you
can spare me your speeches, Flamm.
_The MAID brings in the afternoon coffee._
THE MAID
Rose Bernd's out in the kitchen.
MRS. FLAMM
Come, girl! Wheel me out! [_To FLAMM._] You can help shove me aside.
Somewhere in the world there'll be a little room for me! I won't be in
the way. You can call her in when I'm gone.
FLAMM
[_Sternly, to the MAID._] Tell the girl to wait for a moment. [_The MAID
leaves the room._] Mother, you have to say a word to her! I can't.... My
hands are tied.
MRS. FLAMM
An' what am I to say to her, Flamm?
FLAMM
Public-domain text, read in full here on John Shaqi.
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