The Dramatic Works of John Dryden, Volume 1: With a Life of the AuthorScott, Walter
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The Dramatic Works of John Dryden, Volume 1: With a Life of the Author
Scott, Walter
Dryden, John, 1631-1700
In another point of view, it seems inconsistent with Dryden's situation
to suppose he had any active share in the "Essay on Satire." The
character of Charles is treated with great severity, as well as those of
the Duchesses of Portsmouth and Cleveland, the royal mistresses. This
was quite consistent with Mulgrave's disposition, who was at this time
discontented with the ministry; but certainly would not have beseemed
Dryden, who held an office at court. Sedley also, with whom Dryden
always seems to have lived on friendly terms, is harshly treated in the
"Essay on Satire." It may be owned, however, that these reasons were not
held powerful at the time, since they must, in that case, have saved
Dryden from the inconvenient suspicion which, we will presently see,
attached to him. The public were accustomed to see the friendship of
wits end in mutual satire; and the good-natured Charles was so generally
the subject of the ridicule which he loved, that no one seems to have
thought there was improbability in a libel being composed on him by his
own laureate.
The "Essay on Satire," though written, as appears from the title-page of
the last edition, in 1675, was not made public until 1679, when several
copies were handed about in manuscript. Rochester sends one of these to
his friend Henry Saville, on the 21st of November 1679, with this
observation:--"I have sent you herewith a libel, in which my own share
is not the least. The king, having perused it, is no way dissatisfied
with his. The author is apparently Mr. Dr[yden], his patron, Lord
M[ulgrave,] having a panegyric in the midst." From hence it is evident,
that Dryden obtained the reputation of being the author; in consequence
of which, Rochester meditated the base and cowardly revenge which he
afterwards executed; and he thus coolly expressed his intention in
another of his letters:--"You write me word, that I'm out of favour with
a certain poet, whom I have admired for the disproportion of him and his
attributes. He is a rarity which I cannot but be fond of, as one would
be of a hog that could fiddle, or a singing owl. If he falls on me at
the blunt, which is his very good weapon in wit, I will forgive him if
you please; and _leave the repartee to black Will with a cudgel_."
Public-domain text, read in full here on John Shaqi.
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