The Dramatic Works of John Dryden, Volume 1: With a Life of the AuthorScott, Walter
General
The Dramatic Works of John Dryden, Volume 1: With a Life of the Author
Scott, Walter
Dryden, John, 1631-1700
of the poem, had the liberality to procure admission for the poet's son
upon the foundation of the Charterhouse, of which he was then governor.
But Mr. Malone has fully confuted this tale, and shown, from the records
of the seminary, that Dryden's son Erasmus was admitted upon the
recommendation of the king himself.[6] The insertion, therefore, of the
lines in commemoration of Shaftesbury's judicial character, was a
voluntary effusion on the part of Dryden, and a tribute which he seems
to have judged it proper to pay to the merit even of an enemy. Others of
the party of Monmouth, or rather of the opposition party (for it
consisted, as is commonly the case, of a variety of factions, agreeing
in the single principle of opposition to the government), were
stigmatised with severity, only inferior to that applied to Achitophel.
Among these we distinguish the famous Duke of Buckingham, with whom,
under the character of Zimri, our author balanced accounts for his share
in the "Rehearsal;" Bethel, the Whig sheriff, whose scandalous avarice
was only equalled by his factious turbulence; and Titus Oates, the
pretended discoverer of the Popish Plot. The account of the Tory chiefs,
who retained, in the language of the poem, their friendship for David at
the expense of the popular hatred, included, of course, most of Dryden's
personal protectors. The aged Duke of Ormond is panegyrised with a
beautiful apostrophe to the memory of his son, the gallant Earl of
Ossory. The Bishops of London and Rochester; Mulgrave our author's
constant patron, now reconciled with Charles and his government; the
plausible and trimming Halifax; and Hyde, Earl of Rochester, second son
to the great Clarendon, appear in this list. The poet having thus
arrayed and mustered the forces on each side, some account of the combat
is naturally expected; and Johnson complains, that, after all the
interest excited, the story is but lamely winded up by a speech from the
throne, which produces the instantaneous and even marvellous effect, of
reconciling all parties, and subduing the whole phalanx of opposition.
Even thus, says the critic, the walls, towers, and battlements of an
enchanted castle disappear, when the destined knight winds his horn
before it. Spence records in his Anecdotes, that Charles himself imposed
on Dryden the task of paraphrasing the speech to his Oxford parliament,
at least the most striking passages, as a conclusion to his poem of
"Absalom and Achitophel."
Public-domain text, read in full here on John Shaqi.
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