The Dramatic Works of John Dryden, Volume 1: With a Life of the AuthorScott, Walter
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The Dramatic Works of John Dryden, Volume 1: With a Life of the Author
Scott, Walter
Dryden, John, 1631-1700
[5] "I was unable to resist the weight of historical evidence, that
within the same period most of the loading doctrines of Popery were
already introduced in theory and practice; nor was my conclusion absurd,
that miracles are the test of truth, and that the Church must be
orthodox and pure, which was so often approved by the visible
interposition of the Deity. The marvellous tales which are so boldly
attested by the Basils and Chrysostoms, the Austins and Jeroms,
compelled me to embrace the superior merits of celibacy, the institution
of the monastic life, the use of the sign of the cross, of holy oil, and
even of images, the invocation of saints, the worship of relics, the
rudiments of purgatory in prayers for the dead, and the tremendous
mystery of the sacrifice of the body and blood of Christ, which
insensibly swelled into the prodigy of transubstantiation. In these
dispositions, and already more than half a convert, I formed an unlucky
intimacy with a young gentleman of our college, whose name I shall
spare. With a character less resolute, Mr. ---- had imbibed the same
religious opinions; and some Popish books, I know not through what
channel, were conveyed into his possession. I read, I applauded, I
believed; the English translations of two famous works of Bossuet,
Bishop of Meaux, the 'Exposition of the Catholic Doctrine,' and the
'History of the Protestant Variations,' achieved my conversion; and I
surely fell by a noble hand. I have since examined the originals with a
more discerning eye, and shall not hesitate to pronounce, that Bossuet
is indeed a master of all the weapons of controversy. In the
'Exposition,' a specious apology, the orator assumes, with consummate
art, the tone of candour and simplicity; and the ten-horned monster is
transformed, at his magic touch, into the milk-white Hind, who must be
loved as soon as she is seen. In the 'History,' a bold and well-aimed
attack, he displays, with a happy mixture of narrative and argument, the
faults and follies, the changes and contradictions of our first
reformers: whose variations (as he dexterously contends) are the mark of
historical error, while the perpetual unity of the Catholic Church is
the sign and test of infallible truth. To my present feelings, it seems
incredible, that I should ever believe that I believed in
transubstantiation. But my conqueror oppressed me with the sacramental
words, '_Hoc est corpus meum_,' and dashed against each other the
figurative half-meanings of the Protestant sects; every objection was
resolved into omnipotence; and, after repeating at St. Mary's the
Athanasian creed, I humbly acquiesced in the mystery of the real
presence.
"To take up half on trust, and half to try,
Name it not faith, but bungling bigotry,
Both knave and fool, the merchant we may call,
To pay great sums, and to compound the small;
For who would break with heaven, and would not break for all?"
GIBBON'S _Memoirs of his own Life_.
Public-domain text, read in full here on John Shaqi.
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