The Dramatic Works of John Dryden, Volume 1: With a Life of the AuthorScott, Walter
General
The Dramatic Works of John Dryden, Volume 1: With a Life of the Author
Scott, Walter
Dryden, John, 1631-1700
The evil consequences of the Revolution upon Dryden's character and
fortunes began to abate sensibly within a year or two after that event.
It is well known, that King William's popularity was as short-lived as
it had been universal. All parties gradually drew off from the king,
under their ancient standards. The clergy returned to their maxims of
hereditary right, the Tories to their attachment to the house of Stuart,
the Whigs to their jealousy of the royal authority. Dryden, we have
already observed, so lately left in a small and detested party, was now
among multitudes who, from whatever contradictory motives, were joined
in opposition to the government and some of his kinsmen; particularly
with John Driden of Chesterton, his first cousin; with whom, till his
death, he lived upon terms of uninterrupted friendship. The influence of
Clarendon and Rochester, the Queen's uncles, were, we have seen, often
exerted in the poet's favour; and through them, he became connected with
the powerful families with which they were allied. Dorset, by whom he
had been deprived of his office, seems to have softened this harsh,
though indispensable, exertion of authority, by a liberal present; and
to his bounty Dryden had frequently recourse in cases of emergency.[1]
Indeed, upon one occasion it is said to have been administered in a mode
savouring more of ostentation than delicacy; for there is a tradition
that Dryden and Tom Brown, being invited to dine with the lord
chamberlain, found under their covers, the one a bank-note for £100, the
other for £50. I have already noticed, that these pecuniary benefactions
were not held so degrading in that age as at present; and, probably,
many of Dryden's opulent and noble friends, took, like Dorset,
occasional opportunities of supplying wants, which neither royal
munificence, nor the favour of the public, now enabled the poet fully to
provide for.
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