The Dramatic Works of John Dryden, Volume 1: With a Life of the AuthorScott, Walter
General
The Dramatic Works of John Dryden, Volume 1: With a Life of the Author
Scott, Walter
Dryden, John, 1631-1700
Whether we judge of the rank which Dryden held in society by the
splendour of his titled and powerful friends, or by his connections
among men of genius, we must consider him as occupying at this time, as
high a station in the very foremost circle as literary reputation could
gain for its owner. Independent of the notice with which he was honoured
by Charles himself, the poet numbered among his friends most of the
distinguished nobility. The great Duke of Ormond had already begun that
connection which subsisted between Dryden and three generations of the
house of Butler; Thomas Lord Clifford, one of the Cabal ministry, was
uniform in patronising the poet, and appears to have been active in
introducing him to the king's favour; the Duke of Newcastle, as we have
seen, loved him sufficiently to present him with a play for the stage;
the witty Earl of Dorset, then Lord Buckhurst, and Sir Charles Sedley,
admired in that loose age for the peculiar elegance of his loose poetry,
were his intimate associates, as is evident from the turn of the "Essay
of Dramatic Poesy," where they are speakers; Wilmot Earl of Rochester
(soon to act a very different part) was then anxious to vindicate
Dryden's writings, to mediate for him with those who distributed the
royal favour, and was thus careful, not only of his reputation, but his
fortune. In short, the first author of what was then held the first
style of poetry, was sought for by all among the great and gay who
wished to maintain some character for literary taste; a description
which included all of the court of Charles whom nature had not
positively incapacitated from such pretension. It was then Dryden
enjoyed those genial nights described in the dedication of the
"Assignation," when discourse was neither too serious nor too light, but
always pleasant, and for the most part instructive; the raillery neither
too sharp upon the present, nor too censorious upon the absent; and the
cups such only as raised the conversation of the night, without
disturbing the business of the morrow. He had not yet experienced the
disadvantages attendant on such society, or learned how soon literary
eminence becomes the object of detraction, of envy, of injury, even from
those who can best feel its merit, if they are discouraged by dissipated
habits from emulating its flight, or hardened by perverted feeling
against loving its possessors.
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