The Dramatic Works of John Dryden, Volume 1: With a Life of the AuthorScott, Walter
General
The Dramatic Works of John Dryden, Volume 1: With a Life of the Author
Scott, Walter
Dryden, John, 1631-1700
_Heroic Plays--The Rehearsal--Marriage à la Mode--The Assignation--
Controversy with Clifford--with Leigh--with Ravenscroft--Massacre of
Amboyna--State of Innocence_.
The rage for imitating the French stage, joined to the successful
efforts of our author, had now carried the heroic or rhyming tragedy to
its highest pitch of popularity. The principal requisites of such a
drama are summed up by Dryden in the first two lines of the "_Orlando
Furioso_,"
"_Le Donne, i cavalier, l'arme, gli amori
Le cortesie, l'audaci imprese_."
The story thus partaking of the nature of a romance of chivalry, the
whole interest of the play necessarily turned upon love and honour,
those supreme idols of the days of knight-errantry The love introduced
was not of that ordinary sort, which exists between persons of common
mould; it was the love of Amadis and Oriana, of Oroondates and Statira;
that love which required a sacrifice of every wish, hope, and feeling
unconnected with itself, and which was expressed in the language of
prayer and of adoration. It was that love which was neither to be
chilled by absence, nor wasted by time, nor quenched by infidelity. No
caprice in the object beloved entitled her slave to emancipate himself
from her fetters; no command, however unreasonable, was to be disobeyed;
if required by the fair mistress of his affections, the hero was not
only to sacrifice his interest, but his friend, his honour, his word,
his country, even the gratification of his love itself, to maintain the
character of a submissive and faithful adorer. Much of this mystery is
summed up in the following speech of Almahide to Almanzor, and his
answer, from which it appears, that a lover of the true heroic vein
never thought himself so happy, as when he had an opportunity of thus
showing the purity and disinterestedness of his passion. Almanzor is
commanded by his mistress to stay to assist his rival, the king, her
husband. The lover very naturally asks,
_Almanz_. What recompence attends me, if I stay?
_Almah_. You know I am from recompence debarred,
But I will grant your merit a reward;
Your flame's too noble to deserve a cheat,
And I too plain to practise a deceit.
I no return of love can ever make,
But what I ask is for my husband's sake;
He, I confess, has been ungrateful too,
But he and I are ruined if you go;
Your virtue to the hardest proof I bring;
Unbribed, preserve a mistress and a king.
_Almanz_. I'll stop at nothing that appears so brave:
I'll do't, and now I no reward will have.
You've given my honour such an ample field,
That I may die, but that shall never yield.
The king, however, not perhaps understanding this nice point of honour,
grows jealous, and wishes to dismiss the disinterested ally, whom his
spouse's beauty had enlisted in his service. But this did not depend
upon him; for Almanzor exclaims,
Public-domain text, read in full here on John Shaqi.
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