She knew that at five o’clock on every Saturday afternoon Monseigneur went to kneel in the Chapel Hautecœur, where he liked to pray alone, giving himself up entirely to the past of his race and to himself, seeking a solitude which was respected by all connected with the Cathedral. As it fortunately happened, this was a Saturday. She quickly came to a decision. At the Bishop’s Palace, not only would she be apt to find it difficult to be received, but, on the other hand, there were always so many people about she would be ill at ease; whilst it would be so simple to await him in the chapel, and to introduce herself to Monseigneur as soon as he appeared. That day she embroidered with her usual application and composure. Firm in her wish, sure of doing the right thing, she had no impatient fever of expectation. When it was four o’clock she spoke of going to see the _mère_ Gabet, and went out, dressed as for an ordinary walk, wearing her little garden-hat tied carelessly under her chin. She turned to the left, and pushing open the linted, stuffed door of the portal of Saint Agnes, let it fall back heavily behind her. The church was empty; alone, the confessional of Saint Joseph was still occupied by a penitent, the edge of whose black dress was just seen as one passed. Angelique, who had been perfectly self-possessed until now, began to tremble as she entered this sacred, cold solitude, where even the little sound of her steps seemed to echo terribly. Why was it that her heart grew so oppressed? She had thought she was quite strong, and the day had passed most peacefully--she was so sure of being right in her desire to be happy. But now that she was ignorant of what might happen she turned pale as if guilty, quite frightened at thinking that she was to see Monseigneur, and that in truth she had come there expressly to speak to him. She went quietly to the Chapel Hautecœur, where she was obliged to remain leaning against the gate. This chapel was one of the most sunken and dark of the old Romanesque apse. Like a cave hewn in a rock, straight and bare, with the simple lines of its low, vaulted ceiling, it had but one window, that of stained glass, on which was the Legend of St. George, and in whose panes the red and blue so predominated that they made a lilac-coloured light, as if it were twilight. The altar, in black and white marble, was unornamented, and the whole place, with its picture of the Crucifixion, and its two chandeliers, seemed like a tomb. The walls were covered with commemorative tablets, a collection from top to bottom of stones crumbling from age, on which the deeply-cut inscriptions could still be read.