Christian life -- Fiction; Dreams -- Fiction; France -- Social life and customs -- Fiction
She saw before her, mentally, Claire de Voincourt, tall, beautiful,
with her crown of black hair, and he was at her side, slight, proud, and
handsome. Were they not really created for each other, of the same race,
so well mated that one might think they were already married?
“He no longer loves me! Oh! he no longer loves me!”
This exclamation broke from her lips as if it were the ruin of all her
hopes, and, her faith once shaken, everything gave way without her being
able to examine the facts of the case or to regard them calmly. The
previous evening she believed in something, but that had now passed by.
A breath, coming from she knew not where, had been sufficient, and all
at once by a single blow she had fallen into the greatest despair--that
of thinking she was not beloved. He had indeed spoken wisely when he
told her once that this was the only real grief, the one insupportable
torture. Now her turn had come. Until then she had been resigned,
she felt so strong and confident as she awaited the miracle. But her
strength passed away with her faith; she was tormented by her distress
like a child; her whole being seemed to be only an open wound. And a
painful struggle commenced in her soul.
At first she called upon her pride to help her; she was too proud to
care for him any more. She tried to deceive herself, she pretended to be
free from all care, as she sang while embroidering the Hautecœur coat
of arms, upon which she was at work. But her heart was so full it almost
stifled her, and she was ashamed to acknowledge to herself that she was
weak enough to love him still in spite of all, and even to love him more
than ever. For a week these armorial bearings, as they grew thread by
thread under her fingers, filled her with a terrible sorrow. Quartered
one and four, two and three, of Jerusalem and d’Hautecœur; of
Jerusalem, which is argent, a cross potence, or, between four
cross-crosslets of the last; and d’Hautecœur, azure, on a castle, or, a
shield, sable, charged with a human heart, argent; the whole accompanied
by three fleurs-de-lys, or, two at the top and one in the point. The
enamels were made of twist, the metals of gold and silver thread. What
misery it was to feel that her hands trembled, and to be obliged to
lower her head to hide her eyes, that were blinded with tears, from all
this brightness. She thought only of him; she adored him in the lustre
of his legendary nobility. And when she embroidered the motto of the
family, “_Si Dieu veult, je veux_,” in black silk on a streamer of
silver, she realised that she was his slave, and that never again
could she reclaim him. Then tears prevented her from seeing, while
mechanically she continued to make little stitches in her work.
Public-domain text, read in full here on John Shaqi.
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