Antique dealers -- Fiction; Detective and mystery stories, English; London (England) -- Fiction
“So you did not hesitate to use the keys you had procured in your
capacity as trustee to gain access to this fourth mummy here.” He
turned to Grimsby and Coram. “Gentlemen,” he said, “there will be no
prosecution. The fever of research is a disease; never a crime.”
“I agree,” said Coram, “most certainly there must be no prosecution;
no scandal. Mr. Pettigrew, I am very, very sorry for this.”
Grimsby, with a rather wry face, removed the handcuffs. A singular
expression proclaimed itself upon Pettigrew’s shrivelled countenance.
“The thing I’m most sorry for,” he said, dryly, but with the true
fever of research burning in his eyes, “if you will excuse me saying
it, Coram, for I’m very deeply indebted to you--is that I can’t cut
off the head of this fourth mummy!”
Mr. Mark Pettigrew was a singularly purposeful and rudely truculent
man.
“It would be useless,” rumbled Moris Klaw. “I found the fifth mummy in
Egypt two years ago! And behold”--he swept his hand picturesquely
through the air--“I beheaded him!”
“What!” screamed Pettigrew, and leapt upon Klaw with blazing eyes.
“Ah,” rumbled Klaw, massive and unruffled, “that is the
question--_what?_ And I shall not tell you!”
From his pocket he took out the scent spray and squirted verbena into
the face of Mr. Pettigrew.
NINTH EPISODE.
CASE OF THE HAUNTING OF GRANGE
I
A large lamp burned in the centre of the table; a red-shaded candle
stood close by each diner; and the soft light made a brave enough show
upon the snowy napery and spotless silver, but dispersed nothing of
the gloom about us. The table was a lighted oasis in the desert of the
huge apartment. One could barely pick out the suits of armour and
trophies which hung from distant panelled walls, and I started
repeatedly when the butler appeared, silent, at my elbow.
Of the party of five, four were men--three of them (for I venture to
include myself) neatly groomed and dressed with care in conventional
dinner fashion. The fourth was a heavy figure in a dress coat with
broad satin lapels such as I have seen, I think, in pictures of
Victorian celebrities. I have no doubt, judging from its shiny
appearance, that it was the workmanship of a Victorian tailor. The
vest was cut high and also boasted lapels; the trousers, though at
present they were concealed beneath the table, belonged to a different
suit, possibly a mourning suit, and to a different sartorial epoch.
The woman, young, dark, and exceedingly pretty, wore a gown of
shimmering amber, cut with Parisian daring. Her beautiful eyes were
more often lowered than raised, for Sir James Leyland, our host, was
unable to conceal his admiration; his face, tanned by his life in the
Bush, was often turned to her. Clement Leyland, the baronet’s cousin,
bore a striking resemblance to Sir James, but entirely lacked the
latter’s breezy manner. I set him down for a man who thought much and
said little.
Public-domain text, read in full here on John Shaqi.
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