Antique dealers -- Fiction; Detective and mystery stories, English; London (England) -- Fiction
Throughout the drive from Chelsea to the hotel Moris Klaw discussed
music, a subject with which I had not hitherto believed him to be
acquainted. Perhaps his intention was to exhibit Skobolov’s intense
egotism, for indeed the man was a monument to his own colossal vanity.
His genius I could not dispute, but his personality was detestable.
I had foreseen that he would try to detain the party at his hotel, or,
rather, that he would try to detain Isis. (I had no doubt whatever
that he would gladly have excused both Moris Klaw and myself.) But I
had not been prepared for Klaw’s acceptance of the offer. However, as
we descended from the car and I hesitated whether to accept Skobolov’s
grudging inclusion of myself in the party, or to walk home, I detected
an unmistakable expression in Moris Klaw’s queer eyes, twinkling
behind the pebbles of his pince-nez.
Suddenly the fact came home to me that I was a minor actor in some
mysterious comedy directed by the genius of Wapping Old Stairs.
The Russian occupied a luxurious suite, and Moris Klaw, with
reluctance which I could see to be feigned, agreed at Skobolov’s
pressing invitation to drink one glass of wine and then to depart for
home.
Skobolov did his best to make himself agreeable, proffering cigars and
cigarettes, and opening a bottle of Bollinger. Moris Klaw and I
declined to smoke, but Isis accepted a cigarette and lay back in a
deep lounge chair blowing smoke rings and watching the vainglorious
Russian musician through half-lowered lashes.
There was a grand piano in the room, and Moris Klaw, who had not
touched his wine, prevailed upon Skobolov to play for us once more the
prelude which we had heard at Hassett’s studio.
The pianist shrugged, glanced at Isis, and then seated himself at the
instrument. Placing his cigarette in a little ashtray, he laid his
fingers caressingly on the keyboard, and once more my soul was
harrowed by those indescribable strains.
As the sound of the last chord died away:
“Good,” said Moris Klaw, “excellent, most excellent. And now,
please”--he stood up--“I am an old nuisance, an absent old foolish. Do
you object that I telephone to my chauffeur? I just remember that Isis
leaves her ermine cloak in the car. Is it not so, my child?”
“Good heavens, yes!” Isis exclaimed.
He crossed the room to the telephone, circling ungainly around the
piano, raised the instrument, and:
“Will you be pleased to ask Mr. Moris Klaw’s chauffeur to bring in
from the car the cloak,” he said, distinctly. “Yes, all right, very
well.” He hung up the receiver and turned to face us again, shrugging
his shoulders. “So greatly tempting,” he explained, “to some prowler
thief.”
I now became aware that Isis had suddenly grown very pale. She had
stood up and was watching Skobolov intently. He seemed rather to be
enjoying the scrutiny of her fine dark eyes--when there came a
peremptory rap upon the door.
“Come in!” said the Russian sharply.
Public-domain text, read in full here on John Shaqi.
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