Antique dealers -- Fiction; Detective and mystery stories, English; London (England) -- Fiction
I have seen his theory of the Cycle of Crime proved triumphantly time
and time again; I have known him successfully to demonstrate how the
history of a valuable gem or curio automatically repeats itself,
subject, it would seem, to that obscure law of chance into which he
had made particular inquiry. Then his peculiar power--assiduously
cultivated by a course of obscure study--of recovering from the
atmosphere, the ether, call it what you will, the thought-forms--the
ideas thrown out by the scheming mind of the criminal he sought
for--enabled him to succeed where any ordinary investigator must
inevitably have failed.
“They destroy,” he would say in his odd, rumbling voice, “the clumsy
tools of their crime; they hide away the knife, the bludgeon; they sop
up the blood, they throw it, the jemmy, the dead man, the suffocated
poor infant, into the ditch, the pool--and they leave intact the odic
negative, the photograph of their sin, the thought thing in the air!”
He would tap his high yellow brow significantly. “Here upon this
sensitive plate I reproduce it, the hanging evidence! The headless
child is buried in the garden, but the thought of the beheader is left
to lie about. I pick it up. Poof! he swings--that child-slayer! I
triumph. He is a dead man. What an art is the art of the odic
photograph.”
But I propose to relate here an instance of Moris Klaw’s amazing
knowledge in matters of archæology--of the history of relics. In his
singular emporium at Wapping, where dwelt the white rats, the singing
canary, the cursing parrot, and the other stock-in-trade of this
supposed dealer in oddities, was furthermore a library probably
unique. It contained obscure works on criminology; it contained
catalogues of every relic known to European collectors with elaborate
histories of the same. What else it contained I am unable to say, for
the dazzling Isis Klaw was a jealous librarian.
You who have followed these records will have made the acquaintance of
Coram, the curator of the Menzies Museum; and it was through Coram
that I first came to hear of the inexplicable beheading of mummies,
which, commencing with that of Mr. Pettigrew’s valuable mummy of the
priestess Hor-ankhu, developed into a perfect epidemic. No more
useless outrage could well be imagined than the decapitation of an
ancient Egyptian corpse; and if I was surprised when I heard of the
first case, my surprise became stark amazement when yet other mummies
began mysteriously to lose their heads. But I will deal with the first
instance, now, as it was brought under my notice by Coram.
He rang me up early one morning.
“I say, Searles,” he said; “a very odd thing has happened. You’ve
heard me speak of Pettigrew the collector; he lives out Wandsworth
way; he’s one of our trustees. Well, some demented burglar broke into
his house last night, took nothing, but cut off the head of a valuable
mummy!”
“Good Heavens!” I cried. “What an original idea!”
Public-domain text, read in full here on John Shaqi.
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