The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
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The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
He felt as if he were walking on air as he hurried home to tell "Muddie"
and "Sissy" of his and their good fortune. And how proud "Muddie" was of
her boy! How lovingly little "Sissy" hung on his neck and gave him
kisses of congratulation--though but little realizing the significance
of his success. And how he, in turn, beamed upon them! The grey eyes had
lost all of their melancholy and seemed suddenly to have become wells of
sunshine. In imagination he pictured these loved ones raised forever
from want, for he told himself that he would not only sell for a goodly
price all the rest of the "Tales of the Folio Club," but under the happy
influence of his success he would write many more and far better stories
still, to be promptly exchanged for gold.
Bright and early Monday morning he made ready (with "Muddie's" aid) for
a round of visits to the members of the committee, to thank them for
their kind words. His clothes, hat, boots and gloves were all somewhat
worse for wear and his old coat hung loosely upon his shoulders--wasted
as they still were by the effects of his long illness; but he whistled
while he brushed and "Muddie" darned and carefully inked the worn seams,
and finally it was with a feeling that he was quite presentable that he
kissed his hands to his two good angels and ran gaily down the steps.
Hope gave him a debonair mien that belied his shabby-genteel apparel.
A quarter of an hour later Mr. John Kennedy, prominent lawyer and the
author of that pleasant book "Swallow Barn," then newly published and
the talk of the town, answered a knock upon his office door with a
quick, "Come in!"
At the same time he raised his eyes and confronted those of the young
author whom he had been instrumental in raising from the "verge of
despair."
The face of the older man was one of combined strength and amiability.
Evidences of talent were there, but combined with common sense. There
was benevolence in the expansive brow and kindliness and humor as well
as character, about the lines of the nose and the wide, full-lipped
mouth, and the eyes diffused a light which was not only bright but
genial, and which robbed them of keenness as they rested upon the
pathetic and at the same time distinguished figure before him. What the
kindly eyes took in a glance was that the pale and haggard young
stranger with the big brow and eyes and the clear-cut features, the
military carriage and the shabby, but neat, frock coat buttoned to the
throat where it met the fashionable black stock, and with the modest and
exquisite manners, was a gentleman and a scholar--but poor, probably
even hungry. They kindled with added interest when the visitor
introduced himself as Edgar Poe--the author of "Tales of the Folio
Club."
Public-domain text, read in full here on John Shaqi.
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