The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
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The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
This little family circle was unique. There was an unmistakably oak-like
element in the nature of the widow which was apparent to some degree
even in her outward appearance, in the stateliness and dignity of her
figure and carriage--an element of sturdiness and self-reliance which
made it her pleasure to be clung to, looked up to, leaned upon. The
character of her new-found son was, on the contrary, vine-like. He was
constantly reaching out tendrils of craving for love, for appreciation,
for understanding. More--for advice, for guidance. Such tendrils seeking
a foot-hold, make a strong appeal to every womanly woman. She sees in
them a call to her nobility of soul, to the mother that is a part of her
spiritual nature--a call that gives her pleasant good-angel sensations,
that soften her heart and flatter her self-esteem. To the Widow Clemm,
with her self-reliance and her highly developed maternal instinct, the
appeal was irresistible and between her and The Dreamer the ivy and oak
relation was promptly established, while in the little Virginia he found
a heartsease blossom to be loved and sheltered by both--the loveliest of
heartsease blossoms whose beauty, whose purity and innocence and the
stored sweets of whose nature were all for him.
The three lived, indeed, for each other only, in a dream-valley apart
from and invisible to, the rest of the world, for their dreams of which
it was constructed made it theirs and theirs alone. Their dreams piled
beautiful mountains around the valley through which peace flowed as a
gentle river, while love and contentment and innocent pleasures were as
flowers besprinkling the grass and speaking to their hearts of the love
and the glory of God, and the fancies with which they beguiled the time
were as tall, fantastic trees, moved by soft zephyrs. And because of the
bright flowers ever springing in the green turf that carpeted the
valley, they named it the _Valley of the Many-Colored Grass_. And to the
three the dream-valley, with its peace and its beauty and its sweet
seclusion, was the real world, while all the wilderness outside of it,
where other men dwelt was the unreal.
* * * * *
Public-domain text, read in full here on John Shaqi.
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