The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
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The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
Whenever he could he turned his back upon the boarding-house and tried
to forget it, but the clatter and the gossip seemed to follow him, their
din lingering in his ears as he paced the streets in a fever of disgust
and longing. For the first time since Edgar Poe had opened his eyes upon
the tasteful homelikeness of the widow Clemm's chamber and the tender,
dark eyes of Virginia searching his face with soft wonder, the old
restlessness and dissatisfaction with life and the whole scheme of
things were upon him--the blue devils which he believed had been
exorcised forever had him in their clutches. Whither should he fly from
their harrassments? By what road should he escape?
At the answer--the only answer vouchsafed him--he stood aghast.
"No, no!" he cried within him, "Not that--not that!" Seeking to deafen
his ears to a voice that at once charmed and terrified him, for it was
the voice of a demon which possessed the allurements of an angel--a
demon he reckoned he had long ago fast bound in chains from which it
would never have the strength to arise. It was the voice that dwelt in
the cup--the single cup--so innocent seeming, so really innocent for
many, yet so ruinous for him; for, with all its promises of cheer and
comfort it led--and he knew it--to disaster.
Bitterly he fought to drown the sounds of the voice, but the more he
deafened his ears the more insistent, the clearer, the more alluring its
tones became.
And it followed him everywhere. At every board where he was a guest the
brimming cup stood beside his plate, at every turn of the street he was
buttonholed by some friend old or new, with the invitation to join him
in the "cup of kindness." At every evening party he found himself
surrounded by bevies of charming young Hebes, who, as innocent as angels
of any intention of doing him a wrong, implored him to propose them a
toast.
How could he refuse them? Especially when acquiescence meant escape from
this horrible, horrible soul-sickness, this weight that was bearing his
spirits down--crushing them.
Therein lay the tempter's power. Not in appetite--he was no swine to
swill for love of the draught. When he did yield he drained the cup
scarce tasting its contents. But ah, the freedom from the sickness that
tortured him, the weight that oppressed him! And ah, the exhilaration,
physical and mental, the delightful exhilaration which put melancholy to
flight, loosed his tongue and started the machinery of his brain--which
robbed the past of regret and made the present and the future rosy!
It was in the promise of this exhilaration that the seductiveness of the
dreaded tones lay.
Even his kindly old physician, diagnosing the pallor of his cheeks and
melancholy in his eyes as "a touch of malaria," added a note of
insistence to the voice, as he prescribed that panacea of the day, "a
mint julep before breakfast."
Public-domain text, read in full here on John Shaqi.
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