The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
General
The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
How happy the young lovers and dreamers were in their home-making! Their
housekeeping and furnishings were the simplest, but love made everything
beautiful and sufficient. They had a garden in which they planted all
their favorite flowers and to which came the birds--the birds with whom
they had discovered a sudden kinship, for they too, were nesting--and
filled it with music. And they sang and chatted as happily as the birds
themselves as the pretty business progressed.
How delightful it was to receive their friends, together, in their own
home and at their own board--Eddie's old friends, especially. Rob
Stanard, now a prosperous lawyer, and Rob Sully whose reputation as an
artist was growing, were the first to call and present their compliments
to the bride and groom; and how cordial they were! How affectionate to
Eddie--how warm in their expressions of friendship for the girl-wife!
Virginia found it the greatest fun imaginable to go to market with
"Muddie," with a basket hanging from her pretty arm. The market men and
women began to daily watch for the sweet face and tripping step of the
exquisite child whom it seemed so comical to address as "_Mrs._ Poe,"
and who rewarded their open admiration with the loveliest smile, the
prettiest words of greeting and interest, the merriest rippling laugh
that rang through the market place and waked echoes in many a heart that
had believed itself a stranger to joy.
And the Valley of the Many-Colored Grass was reconstructed in even more
than its old beauty. The flowers of love and contentment and innocent
pleasure that besprinkled its green carpet had never been so many or so
gay, the dream-mountains that shut it in from the rest of the world were
as fair as sunset clouds, and the peace that flowed through it as a
river broke into singing as it flowed.
* * * * *
Meantime Edgar Poe worked--and worked--and worked.
Every number of the _Messenger_ contained page after page of the
brilliantly conceived and artistically worded product of his brain and
pen. His heart--his imagination satisfied and at rest in the love and
comradeship of a woman who fulfilled his ideal of beauty, of character,
and of charm, whose mind he himself had taught and trained to appreciate
and to love the things that meant most to him, whose sympathy responded
to his every mood, whose voice soothed his tired nerves with the music
that was one of the necessities of his temperament, a woman, withal, who
lived with no other thought than to love and be loved by him--his
harassing devils cast out by this true heartsease, Edgar Poe's industry
and his power of mental production were almost past belief.
Public-domain text, read in full here on John Shaqi.
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