The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
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The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
After supper his host, not the least of whose accomplishments was the
rare one of reading aloud acceptably, was persuaded to read some of his
own poems--Mr. Graham asking for certain special pieces. Among these
were the lines "To Helen," which were recited with a fervor approaching
solemnity.
"Tell him about Helen, Eddie," murmured Virginia, who sat by his side.
"Yes, do tell me!" urged Mr. Graham, quickly. And with his eyes brooding
and dreamy, the poet went over, in touching and beautiful words, the
story of what he always felt and declared to be "the first pure passion
of his soul."
In the silence that followed he arose and took from the wall a small
picture--a pencil-sketch of a lovely head.
"This is a drawing of her made by myself," he said. "It was done from
memory, but is a good likeness. I needed no sitting to make her
likeness."
When he had shown Mr. Graham the picture, he hung it back in its place
and a gentle hush fell upon the little group. Speech seemed out of place
after the moving recital and the four sat gazing into the embers, each
sunk in his or her own dreams.
The poet was the first to speak.
"Some music Sissy," he said turning to Virginia. "I want Mr. Graham to
hear you."
She arose at once and seating herself at the harp, struck some soft,
bell-like chords while she waited for "Buddie" to decide what she should
sing.
"Let it be something sweet and low," he said, "and simple. Something of
Tom Moore's, for instance. You know my theory, anything but the simplest
music to be appreciated--to reach the soul--must be heard alone."
The harp accompaniment rippled forth, and in a moment more melted into
the rich, sweet passionate tones of her voice as she told in musical
numbers a heart-breaking story of love and parting.
Ballad after ballad followed while the little audience sat entranced.
Finally when the singer returned to her seat by the side of her husband,
the conversation turned upon music. Mr. Graham commented upon his host's
theory that all music but the simplest should, for its best effect, be
listened to in solitude.
"Yes," said The Dreamer, "It is (like the happiness felt in the
contemplation of natural scenery) much enhanced by seclusion. The man
who would behold aright the glory of God as expressed in dark valleys,
gray rocks, waters that silently smile and forests that sigh in uneasy
slumbers, and the proud, watchful mountains that look down upon all--the
man that would not only look upon these with his natural eye but feed
his soul upon them as a sacrament, must do so in solitude. And so too, I
hold, should one listen to the deep harmonies of music of the highest
class."
At length the hour came when Mr. Graham felt that he must tear himself
away--bring this strange visit to an end. Before going he felt moved by
an impulse to express something of the effect it had had upon him.
Public-domain text, read in full here on John Shaqi.
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