The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
General
The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
But there were other visitors that winter, and less welcome ones. Though
the master of the cottage wrote and wrote, filling the New York and
Philadelphia papers and magazines with a stream of translations,
sketches, stories and critiques, for which he was sometimes paid and
sometimes not, the aggregate sum he received was pitifully small and the
Wolf scratched at the door and the gaunt features of Cold and Want
became familiar to the dwellers in the Valley of the Many-Colored Grass.
In desperation the driven poet turned this way and that in a wild effort
to provide the necessities of life for himself and those who were
dearer to him than self--occasionally appearing upon the lecture
platform, and finally attempting, but without success, to secure
government office in Washington.
And oftener and oftener, and for longer each time the Shadow rested upon
the cottage--making the Valley dark and drear and dimming the colors of
the grass and the flowers--the dread shadow of the wing of the Angel of
Death.
Even at such times The Dreamer made a manful struggle to coin his brains
into gold--to bring to the cottage the comforts, the conveniences, the
delicacies that the precious invalid should have had. An exceedingly
appealing little invalid, she lay upon her bed in the upper chamber
whose shelving ceiling almost touched her head; and sometimes "Muddie"
and "Eddie" fanned her and sometimes they chafed her hands and her feet
and placed her pet, "Catalina," grown now to a large, comfortable cat,
in her arms, that the warmth of the soft body and thick fur might
comfort her shuddering frame. And oftentimes as she lay there "Eddie"
sat at a table nearby and wrote upon the long strips of paper which he
rolled into the neat little rolls which he or "Muddie" took around to
the editors.
And sometimes the editors were glad to have them, and to pay little
checks for them, and sometimes not.
The truth was, that though the fame of Edgar Poe was well established,
there was an undercurrent of opposition to him, that kept the price of
his work down. The little authors--venomous with spite and jealousy--the
little authors, chief among whom was Rufus Griswold of the furtive eye
and deprecating voice, were sending forth little whispers defaming his
character, exaggerating his weakness and damning his work with faint
praise, or emphatic abuse.
A day came when Edgar Poe realized that he must move on--that the "City
of Brotherly Love" had had enough of him--that to remain must mean
starvation. What removal would mean he did not know. That might mean
starvation too, but, as least, he did not know it.
Public-domain text, read in full here on John Shaqi.
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