The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
General
The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
The result was an early and noisy house-warming. The guests were filled
with admiration to find the walls of Number 13 decorated in honor of the
occasion with charcoal sketches representing scenes from Byron's works
done by the clever hand of the new occupant himself. They also found
Edgar Goodfellow in the character of host, presiding over his own
card-table and his own bowl--a generous one--of peach-honey, in the
highest feather and his most captivating mood.
CHAPTER XI.
Erelong Number 13 was the liveliest and most popular room in the Row,
but of the orgies held there the faculty rested in blissful
unconsciousness. At class-time young Poe was invariably in his place and
invariably the pale, thoughtful, student-like and faultlessly neat and
gentle-mannered youth whose intelligent attention and admirable
recitations were the joy of his masters. They heard rumors that he was
something of a poet and were not surprised, the suggestions of ideality
in the formation of his brow and the expression of his eyes hinted at
such talent, and so long as he did not let the Muse come between him and
his regular work, he should not be discouraged or restrained.
Indeed, in spite of the sway of Edgar Goodfellow at this time, Edgar the
Dreamer was often present too, and during solitary tramps into the wild
fastenesses of the Ragged Mountains, he not only conceived many fancies
to be worked into poems, but made mentally, the first draft of a story
to win fame.
The love of no real woman came to supplant the seemingly faithless
Elmira, and though he still carried his mother's miniature with him and
gazed often and fondly upon it, the sense of nearness between her spirit
and his and the soul satisfaction he had found in this nearness in the
past, were gone. The gambling fever that had fired his veins and the
nightly potations of peach-honey created an excitement and restlessness
that blurred the images his memory held of the angel mother who had
dominated his childhood and of the madonna-like mistress who had filled
the dreams of his early youth. These holy dreams became for the time
being, a reproach to him, for they aroused his conscience to an
unpleasant activity which required more frequent recourse to peach-honey
to quiet.
* * * * *
Love was, nevertheless, as necessary to this poet's soul as meat and
drink were to his body, and in the No Man's Land, "out of space, out of
time," which his fancy created and where it loved to stray, he fashioned
for himself the weirdest, strangest lady ever loved by mortal. The name
he gave her was "Ligeia." She laid upon him no exactions, chastened him
with no rebukes, demanded of him no service save that he should
dream--and dream--and dream; for was not she herself formed from "such
stuff as dreams are made of?"
Public-domain text, read in full here on John Shaqi.
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