The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
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The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
The music of nature had long possessed a sort of personality for Edgar
Poe, and now the voices, the motions, the numberless colors of the world
about him took definite shape in his fancy of a wonderous fairy-woman
whom he worshipped with an unearthly, poetic passion that was compared
to the passion of the normal man to flesh and blood woman as moonlight
to sunshine--a passion which was luminous without heat.
Dim and elusive as is the very conception of "Ligeia" to the ordinary
mind, she was perfectly real to her creator. In the summer-night breeze
he heard the music of her voice and felt the delicious coolness of her
caress. Tall, swaying trees spoke to him of her height, her majesty and
her grace. He perceived the softness and lightness of her footfalls in
the passage of evening shadows across a lake or meadow, the perfection
of her features in the form and finish of flower petals and the delicate
tints of her beauty in the coloring of flowers; the raven hue and
sweeping length of of her tresses in the drowning shades of midnight and
the entrancing veil of her lashes in deep mysterious woods; and when, in
fancy, he looked beneath that veil into her eyes, as unfathomable as the
ocean itself, he was struck dumb with reverence and wonder, for they
held in keeping all the secrets of the moon and the stars, of dawn and
sunset, of green things growing and flowers in bloom, of the butterfly
in the crysalis and on the wing, of still waters and of running brooks.
To the inner vision of this most unusual youth, "Ligeia"--this myth
called into being by the enchantment of his own fancy--not only became
as real as if she had been flesh and blood; his pagan soul bowed down
before her and she blotted from his mind, for the time, all thought or
consciousness of more robust womanhood. She became, in imagination, the
sharer of his studies, the wife of his bosom, and he sat at her feet and
gladly learned from her the beautiful, strange secrets of this fearfully
and wonderfully made world.
He was sometimes haunted by another, and a far less agreeable vision. In
spite of the absence of restraint under which he lived and the fact
that between his dreams, his books and his dissipations there seemed
little opportunity left for the still, small voice to make itself heard,
there were times when his better self shook off slumber and rose before
him like a ghost that, for all his efforts, would not be laid--a ghost
like him in all regards save for the sternness of its look and of the
voice which accused him in whispers to which all others ears were deaf,
but his own intensely, horribly sensitive.
Public-domain text, read in full here on John Shaqi.
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