The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
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The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
Edgar Poe sat easily upon a high stool in the little shop. His dress was
handsome and, as always, exquisite in its neatness and taste. His whole
appearance and bearing were marked by an "air" which deeply impressed
the young printer who had promptly fallen under the spell of his
personal charm. He had laid his hat upon the desk, baring the glossy
brown ringlets that clustered about his large, pale brow. His clear-cut
features were mobile and eager; his dark grey eyes full of life. His
voice had a wonderful musical quality, becoming passionate when, as at
present, his feeling was deeply aroused.
His poetry, recited thus, gained much of distinction. Its crudities
would have been lost, to a great extent, even upon a critic. But Thomas
was no critic. He was simply a dreamy, half-educated youth with a mind
open to the beautiful and the romantic. The flights of the poet's fancy
did not seem to him obscure or too fantastic. They admitted him to a
magic world in which he sat spell-bound until silence brought him back
to his tiny bare shop which seemed suddenly to have been glorified.
"It is wonderful--_wonderful_!" he breathed.
He began to picture himself as not only sharing the wealth, but the fame
which the publication of these gems was bound to bring. But he had to
explain that he was poor, and that he could not bring out the poems
without financial aid. The money which had been given Edgar to set out
in the world with, was already dwindling, but he managed to subscribe a
sum which Thomas declared would be sufficient, with the little he
himself could add, for the printing of a modest edition, in a very
modest garb.
CHAPTER XIV.
In the Allan mansion, in Richmond, there was a stillness that was
oppressive. No young foot-falls sounded upon the stair; no boyish
laughter rang out in rooms or hall. There were handsome and formal
dinners occasionally, when some elderly, distinguished stranger was
entertained, but there were no more merry dancing parties, with old Cy
playing the fiddle and calling the figures.
Frances Allan, fair and graceful still, though looking somewhat out of
health and "broken," as her friends remarked to one another, trod softly
about the stately rooms with no song on her lip, no gladness in her
step. Her husband was grown suddenly prematurely old and his speech was
less frequent and harsher than before. He was more immersed in business
than ever and was prospering mightily, but the fact seemed to bring him
no satisfaction. Even the old servants had lost much of their mirth.
Their black faces were grown solemn and their tread heavy. They looked
with awe upon their mistress when, as frequently happened, they saw her
quietly enter "Marse Eddie's" room and close the door behind her.
Public-domain text, read in full here on John Shaqi.
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