The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan PoeStanard, Mary Newton
General
The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe
Stanard, Mary Newton
Poe, Edgar Allan, 1809-1849
She was a tall woman, and deep-bosomed, with large but clear-cut and
strong features, and handsome, deepset gray eyes which habitually wore
the expression of one who has loved much and sorrowed much. She had been
called stately before her proud spirit had bowed itself in submission to
the chastenings of grief--since when she had borne the seal of meekness.
But there was a distinction about her that neither grief nor poverty
could destroy. She was so unmistakably the gentle-woman. In the simple,
but dainty white cap, with its floating strings, which modestly covered
her dark waving hair, the plain black dress and prim collar fastened
with its mourning pin, she made a reposeful picture of the old-fashioned
conception of "a widow indeed."
Her hands were not her least striking feature. They were large, but
perfectly modelled, and they were deft, capable, full of character and
feeling. In their touch there was a wonderfully soothing quality. In
winter they always possessed just the pleasantest degree of warmth; in
summer just the most grateful degree of coolness. No one ever received a
greeting from them without being impressed with the friendliness, the
sympathy of their clasp.
As she bent her fine, deeply-lined face over them, and the work they
held, while the little Virginia sat nursing a doll at her feet, she
often stitched into the garments that they fashioned yearnings,
thoughts, questionings of the youth--her brother's child--whose picture,
as she had conceived him from descriptions she had heard, she carried in
her heart. She knew too well the weakness that was his inheritance and
she knew too, what perils were in waiting to ensnare the feet of untried
youth--poor, homeless and without the restraining influences of friends
and kindred--whatever their inheritance might be.
Sometimes she felt that the yearning was almost more than she could
bear, and that she must arise and go forth and seek this straying sheep
of the fold of Poe. But alas, she was but a woman, without money and
without a clue upon which to begin to work save such as wild, improbable
and contradictory rumors afforded. That was, after all, what she most
needed--a clue. If she could only find a clue, poor as she was, she
would follow it to the ends of the earth!
Upon a summer's day two years after Edgar's disappearance, and when she
had almost given up hope, the clue came. It was placed in her hand by
her cousin, and Edgar's, Neilson Poe, who had no faith in its value but
passed it on to her as it had come to him--"for what it was worth," as
he expressed it.
It was a strange story that Mrs. Clemm's cousin Neilson told her, and
which had been told him, he said, by an acquaintance of his from
Richmond who had known Edgar Poe in his boyhood.
Public-domain text, read in full here on John Shaqi.
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